Once Upon a Time in Hollywood: How To Pitch A Work For Hire Project
This week, Jacob Krueger discusses Once Upon a Time in Hollywood and one of the most important skills a screenwriter needs: the ability to develop a distinctive take on historical material or a pitch for a work-for-hire project that makes your approach to a story unique from any other writer.
Chernobyl: How To Write A Miniseries
This week, Jacob Krueger discusses Chernobyl as an example of how to write an essential and effective miniseries, what makes the miniseries format so unique, and how to determine whether your project has the epic scope, relevant theme, visual beauty, and character journey needed to become a miniseries.
BlacKkKlansman: Adapting a True Life Story
This week we’re going to be talking about BlacKkKlansman by Spike Lee, Charlie Wachtel, David Rabinowitz and Kevin Willmott. When I first went out to see BlacKkKlansman, my hope was that I was going to be able to do a podcast about how to write a movie for a political change— to talk about the […]
DEADPOOL 2: Where Tone Meets Genre in Screenwriting
DEADPOOL 2: Where Tone Meets Genre in Screenwriting This week, we are going to be looking at Deadpool 2 by Rhett Reese, Paul Wernick, and a new addition to the writing team, Ryan Reynolds. If you missed my podcast on the original Deadpool, you might want to check that out as well, because one of the […]
A QUIET PLACE Part 2: Dialogue, Action & The Theme of Your Screenplay
A QUIET PLACE Part 2: Dialogue, Action & The Theme of Your Screenplay In the first installment of this podcast, we looked at A Quiet Place in relation to writing action and discussed how all of screenplay formatting really exists for one purpose: to isolate visual moments of action. By isolating visual moments of action […]
THE SOCIAL NETWORK: Is The Audience Listening To Your Dialogue?
THE SOCIAL NETWORK: Is The Audience Listening To Your Dialogue? By Jacob Krueger [divider type=”thin” full_width=”no” width=”1/1″ el_position=”first last”] Remember the first scene of The Social Network? Aaron Sorkin’s spitfire banter ricocheting at high velocity between Mark Zuckerberg and his girlfriend Erica. The scene is so brilliantly written, you probably barely noticed that you didn’t […]
Rule #6: You Need To Make Writing a Full Time Job
[spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Rule #6: You Need To Make Writing a Full Time Job By Jacob Krueger [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Rule #6: You Need To Make Writing a Full Time Job Check out 100 Rules And How To Break Them for […]
Should You Write An Ensemble Piece?
[spb_video link=”https://youtu.be/MrO9jp9vwbA” full_width=”no” width=”1/1″ el_position=”first last”] [blank_spacer height=”30px” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Should You Write An Ensemble Piece? [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] What do most of Robert Altman’s films, and screenplays like Crash and The Tree of Life […]
The Inciting Incident
[spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] The Inciting Incident By Jacob Krueger [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Rule #4 THE INCITING INCIDENT Check out 100 Rules And How To Break Them for more tips. This installment of the 100 Rules series grows directly out […]