Category: Writing For Television

Game of Thrones Season 8 vs Season 1: Building A Series Engine That Lasts

For eight seasons, Game of Thrones has attracted and retained a devoted audience. Now drawing to a dramatic finale in Season 8, this week we take a look back at Season 1 and how by building a powerful series engine the show has kept viewers flocking back to this fantastical world year after year.

From GoodFellas to Breaking Bad with Stephen Molton

This podcast was taken from our vault.  If you are interested in studying Television Writing with Steve our next class is Feb 3rd-March 3rd; you can sign up here. From GoodFellas to Breaking Bad with Stephen Molton Jake: Today on the podcast, I have a special guest, Steve Molton. Steve is a mentor here at […]

Succession Part 2: How To Write Subtext In Your Dialogue

Succession Part 2: How To Write Subtext In Your Dialogue In the last podcast we looked at the engine of Succession. We looked at the way each episode was put together, and the way that all these characters come together in each episode to create the season. So today, rather than thinking globally, we’re going […]

Succession vs Arrested Development: The Series Engine

Succession vs Arrested Development: The Series Engine This week we’re going to be talking about Succession. If you haven’t already seen the whole season, don’t worry. We aren’t going to give away any major spoilers. What we’re going to be looking at this week is the structure of Succession: the way that this piece is […]

Isle Of Dogs Vs. Roseanne – Writing For Political Change

Please note, this podcast was recorded prior to the recent scandals surrounding Roseanne Barr. We have chosen to leave the podcast on our site because we feel it may have information that is valuable to writers. But the analysis was based upon what the show appeared to be after the airing of the pilot. As […]

BoJack Horseman: Breaking The Rules Of Structure

This week we are going to be talking about BoJack Horseman, but we aren’t just going to be talking about the series, we are going to be talking about one very particular episode, and doing a really deep breakdown: Season 4, Episode 9 which is entitled Ruthie. A lot of the times when we talk […]

Star Trek Beyond: Find The Emotional Core Of Your Screenplay

*Please note this interview was from 2018.   Jake: This week, I am so excited to be doing something we’ve actually never done before on the podcast: we have two different writers, Doug Jung and Emily Dell. Emily tends to come at things from more of the independent film side, and Doug has been involved in […]

5 Differences Between TV and Screenwriting

[spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] 5 Differences Between TV and Screenwriting By Jacob Krueger [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] A post from our vault.  If you are interested in our upcoming classes click here. With the announcement of our long awaited TV Drama […]

Don’t Make These TV Spec Script Mistakes!

[spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Don’t Make These TV Spec Script Mistakes!  By Jacob Krueger [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] In Part 1 of this “What You Need To Get A TV Staff Job” series, I discussed the most important things to consider […]

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