The writers will learn each step of story development in a Professional Writers Room, developing skills that will not only help them as writers, but also as collaborators within professional Writers Rooms they advance in their careers.
There are a number of phases to the Writers Room Process, many of which are non-linear, moving in and out of one another as the “assembly line” of stories moves along.
BLUE SKY: Just like on a real TV Drama series early in its development, the Showrunner will present the writers with a simple conceit within which to work. Writers will then pitch macro-level possibilities for the show. This can include articulating engine, dreaming up characters, plot scenarios, exploring themes, and generally “finding the heart of the show.”
TRANSCRIPTION OF WRITERS ROOM SESSIONS: Each session, a different writer will be in charge of transcribing and distributing notes, providing a valuable opportunity to develop these skills which are so important for writers getting their first job in a professional Writers Room. You’ll receive instruction in how to use various AI tools to speed up this process, putting you on the cutting edge in the industry.
PILOT BREAK: The writers will work together under the guidance of the Showrunner to craft the pilot, which will establish the key elements of the show, the engine and tone, the characters, and platform into the season.
SEASON STRUCTURE: The writers will collaborate breaking the tentpoles of the season story — i.e., what are the major arcs? What are the stars we’re navigating toward? Just like on real shows, this is a phase the Writers Room will move in and out of, as often the latter portions of a season come into focus later in the process, after the initial episodes are broken. We will “work big to small”, and placeholder ideas will come into focus as we grow nearer to them.
EPISODE BREAKING: The writers will collaborate to break the overall structure of individual episodes as the Season Structure unfolds.
PITCHING OUT EPISODES: The writers will learn the vital skill of how to “pitch out” an episode break to the Showrunner, essentially presenting the story of the episode in real time, to get approval to move to the next phases of generating story documents.
STORY AREA DOCUMENTS: The writers will learn how to write a Story Area document, a 4-8 page narrative explaining the story of an episode in simple prose, broken into A, B and C stories. This will help writers develop the real world skills they need to present to Showrunners and Studio Executives and Executive Producers for notes and approval. Once an episode’s Story Area is approved by the Showrunner, the writer (or writing team) assigned to a given episode will then move to Outlining.
EPISODE OUTLINES: The writers will learn to Outline in the 24/Homeland style, a more refined document usually between ten and fifteen pages, which fleshes out the story area into a more fulsome execution of each scene. This will provide another invaluable skill for writer’s who wish to join a professional Writers Room or become Showrunners themselves, teaching them how to navigate the chain of approval, take notes, and earn the “green light” to draft their episode.
EPISODE DRAFTING: Writers will collaborate on the Series Pilot (which will bear everyone’s name) and have the opportunity to write their own episode from the season, either individually or in collaboration with another writer.
EPISODE NOTES AND REVISIONS: The writers will receive feedback from the Showrunner on both the pilot and their individual episodes, in the form of notes on their pages.
Students will complete the class having collaborated on a sample pilot bearing everyone’s name, as well as sole credit (either individually or with their collaborator) on a sample episode, providing a valuable writing sample.