Chernobyl: How To Write A Miniseries
This week, Jacob Krueger discusses Chernobyl as an example of how to write an essential and effective miniseries, what makes the miniseries format so unique, and how to determine whether your project has the epic scope, relevant theme, visual beauty, and character journey needed to become a miniseries.
Game of Thrones Final Episode: The Case for Compression
In his final Game of Thrones podcast, Jacob Krueger discusses the series finale and the lessons it has to offer screenwriters regarding the importance of compression in keeping your audience engaged and on the edge of their seats until the very end.
Game of Thrones Episode 5: Three Levels of Structure
This week, Jacob Krueger analyzes Episode 5 and discusses how the three levels of structure – plot, emotion, and theme – need to tie together to create a powerful journey for both your characters and your audience.
Game of Thrones Episode 1: Save the Best For First
Jacob Krueger compares and contrasts two Game of Thrones pilots: Season 8, Episode 1 and Season 1, Episode 1, to show you the elements of a successful pilot, and how, as a writer, you can benefit from “saving the best for first.”
ROMA: Turning Your Life Story Into A Screenplay
ROMA: Turning Your Life Story Into A Screenplay This week, we’re going to be talking about Roma by Alfonso Cuarón. Roma is an extraordinary film that harkens back to a different era of storytelling. It’s shot in black and white, despite having a substantial budget. It’s entirely in Spanish. And, in a way, the whole […]
From GoodFellas to Breaking Bad with Stephen Molton
This podcast was taken from our vault. If you are interested in studying Television Writing with Steve our next class is Feb 3rd-March 3rd; you can sign up here. From GoodFellas to Breaking Bad with Stephen Molton Jake: Today on the podcast, I have a special guest, Steve Molton. Steve is a mentor here at […]
Destroyer: How to Use Flashbacks in Your Script
Learn from Destroyer how to use flashbacks in your script. We’ll discuss the common pitfalls that can make flashbacks dangerous, and the questions you can ask yourself when using flashbacks to determine if your flashbacks are likely to make the structure of your script stronger, or to get in the way.
DEADPOOL 2: Where Tone Meets Genre in Screenwriting
DEADPOOL 2: Where Tone Meets Genre in Screenwriting This week, we are going to be looking at Deadpool 2 by Rhett Reese, Paul Wernick, and a new addition to the writing team, Ryan Reynolds. If you missed my podcast on the original Deadpool, you might want to check that out as well, because one of the […]
A QUIET PLACE Part 2: Dialogue, Action & The Theme of Your Screenplay
A QUIET PLACE Part 2: Dialogue, Action & The Theme of Your Screenplay In the first installment of this podcast, we looked at A Quiet Place in relation to writing action and discussed how all of screenplay formatting really exists for one purpose: to isolate visual moments of action. By isolating visual moments of action […]