Tag: Screenwriting Tips

Adolescence Episode 3: Adolescence, The Wire and Pattern Based Engine

Adolescence 3: Adolescence, The Wire & Pattern Based Engine

Learn how Adolescence Episode 3 (building upon structural techniques from The Wire) uses a Pattern Based Series Engine to navigate rare changes in characters and narrative form while still preserving the feeling of the series

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

Adolescence Episode 2: Dialectical Screenwriting

Learn how to use dialectical structure to deepen your screenplay’s theme, character arcs, and emotional impact through a deep analysis of Adolescence Episode 2.

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Adolescence Episode 1: Playing at the Top Of Your Intelligence

Learn how Adolescence grabs its audience in the first ten seconds—and what screenwriters can take from its naturalistic style, one-shot structure, and emotionally grounded approach to character.

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

Thunderbolts: Theme in Action Movies

Thunderbolts

Discover how Thunderbolts uses theme to explore depression, trauma, and healing within the structure and genre of a big budget superhero action movie—and how to bring emotional depth to your own screenwriting.

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

The Last of Us Season 2: Resetting Your Series Engine

Learn how The Last of Us Season 2 resets its story engine—and what it teaches about rebuilding character dynamics, stakes, and tension in your own TV series.

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

Nickel Boys and Shawshank Redemption: Primary and Secondary Structure

Nickel Boys & Shawshank Redemption: Primary and Secondary Structure

Learn how Nickel Boys and Shawshank Redemption use secondary structure to shape audience expectations—and how to apply these techniques to the structure of your screenplay.

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

The White Lotus: Why Season 3 Feels Different

The White Lotus

Learn how Engine and Theme function in all 3 seasons of The White Lotus and how slight changes in The White Lotus Season 3 massively affect the feeling of the series…

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

Anora: Using the “Sea Change” to Supercharge Structure

Discover how Sean Baker’s Anora uses a seismic mid-story twist to reshape structure, character, and theme — and how to apply it to your screenplay.

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

The Brutalist Part 2: Do You Need an Active Main Character?

The Brutalist Part 2 Do we need an active main character? Jacob Krueger Studio

Discover why Brady Corbet’s The Brutalist, rejects the idea that protagonists must drive the action and how its unconventional approach grows out of its thematic exploration of the immigrant experience.

Join us for a Special Thursday Night Writes! Our Happy Hour of Writing Exercises with Jake every Thursday night at 7:00 pm ET, RSVP: https://www.writeyourscreenplay.com/free-writing-classes-thursday-night-writes/

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Last Updated: May 13, 2025 2:00 PM EST

Participant Agreement

By registering for the course, you are agreeing to the following terms, which form a legal contract between you and Jacob Krueger Studio, LLC (“Company”) and govern your attendance at and/or participation in Company’s course (the “Course”). 

  1. Course Participation.
    1. Admittance.  Your registration entitles you to admittance to the Course.  Any and all other costs associated with your attendance (including, without limitation, any travel or accommodation expenses) shall be borne solely by you and Company shall not be liable for any such costs.
    2. Media.  For good and valuable consideration, the receipt and sufficiency of which are hereby acknowledged, you grant Company the right to record, film, photograph or capture your likeness in connection with the Course, in any media now available and hereafter developed (“Course Footage”).  You further grant to Company in perpetuity the rights to use, license, edit, copy, distribute, publicly display and make derivative works of the Course Footage, including exploitation for marketing, advertising or merchandising related to the Course, throughout the universe.  You hereby waive any and all approval rights you may have over Company’s use of the Course Footage and acknowledge these rights are granted without any payment, including royalties or residuals, to you.
    3. Conduct.  You acknowledge that Company reserves the right to request your removal from the Course if Company, in its sole discretion, considers your presence or behavior to create a disruption or to hinder the Course or the enjoyment of the Course by other attendees or speakers.
  2. Fee(s).
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  3. Intellectual Property. All intellectual property rights, including trademarks, copyrights, trade secrets and patents, in and to the Course, the Course content and all materials distributed at or in connection with the Course (the “Course Materials”) are owned by Company. You may not use, license, copy, display, or make derivative works of the Course Materials without the prior written permission of Company.  For the avoidance of doubt, nothing in this agreement shall be deemed to vest in you any legal or beneficial right in or to any trademarks or other intellectual property rights owned or used under license by Company or grant to you any right or license to any other intellectual property rights of Company, all of which shall at all times remain the exclusive property of Company.
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    • You represent and warrant that you have the full right and authority to grant Company the rights provided in this agreement and that you have made no commitments which conflict with this agreement or the rights granted herein.  You agree that your participation in the Course is entirely at your own risk and accept full responsibility for your decision to participate in the Course.  In no event shall you have the right to enjoin the development, production, exploitation or use of the Course and/or your Contributions to it. 
  5. Governing Law and Venue.  This agreement shall be governed by the laws of the State of New York without regard to its conflict of laws provisions.  The parties hereto agree to submit to personal and subject matter jurisdiction in the federal or state courts located in the City and State of New York, United States of America.
  6. Dispute Resolution.  All claims and disputes arising under or relating to this agreement are to be settled by binding arbitration in the state of New York or another location mutually agreeable to the parties.  The arbitration shall be conducted on a confidential basis pursuant to the Commercial Arbitration Rules of the American Arbitration Association.  Any decision or award as a result of any such arbitration proceeding shall be in writing and shall provide an explanation for all conclusions of law and fact and shall include the assessment of costs, expenses, and reasonable attorneys’ fees by the winner against the loser.  Any such arbitration shall include a written record of the arbitration hearing.  An award of arbitration may be confirmed in a court of competent jurisdiction.
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  8. Prevention of “Zoom-Bomber” Disruptions; Unauthorized Publication of Class Videos. Company will record each class session, including your participation in the session, entitled “The Videos”. To prevent disruptions by “zoom-bombers” and provide Company and

    participants the legal standing to remove unauthorized content from platforms such as YouTube and social media sites, you agree that

    (1) you are prohibited from recording any portion of the Course;

    (2) in exchange for the opportunity to participate in the Course, you assign to Company your verbal contributions to the session discussions.

    To be clear, you assign to Company only your oral statements during recorded Course sessions. You retain all copyright to any and all written materials you submit to the class and the right to use them in any way you choose without permission from or compensation to the Company.

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