THE SOCIAL NETWORK: Is The Audience Listening To Your Dialogue?
THE SOCIAL NETWORK: Is The Audience Listening To Your Dialogue? By Jacob Krueger [divider type=”thin” full_width=”no” width=”1/1″ el_position=”first last”] Remember the first scene of The Social Network? Aaron Sorkin’s spitfire banter ricocheting at high velocity between Mark Zuckerberg and his girlfriend Erica. The scene is so brilliantly written, you probably barely noticed that you didn’t […]
The Power of the First and Last Image
[spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] The Power of the First and Last Image By Jacob Krueger [/spb_text_block] [divider type=”thin” text=”Go to top” full_width=”no” width=”1/1″ el_position=”first last”] [spb_text_block pb_margin_bottom=”no” pb_border_bottom=”no” width=”1/1″ el_position=”first last”] Does a chain email hold the secret to your script? A friend of mine recently sent me a chain email. Normally, I […]
Is Your Character An Adjective or a Verb?
It’s no wonder that some of the greatest writers began their careers as actors.
The art of writing and acting have always been profoundly intertwined. That’s because structurally, movies grow out of character. And character is the thing that actors understand best.
So what is character from an actor’s perspective? And how can that help you as a writer?
Got an issue with Robert McKee? Me too.
Don’t throw away the baby with the bath-water. As with any screenwriting book, there are some good things to be discovered in Robert McKee’s “Story”. But there’s also a lot that can be misleading, confusing or even just plain wrong. And for young writers who take his words as gospel, McKee can pose a real danger to finding your voice, truly understanding your character, and discovering the organic structure of your screenplay.
I believe that a big part of that is because McKee teaches screenwriting from a critic’s perspective, rather than that of a writer…