All Podcasts & Transcripts
This week, Jacob Krueger discusses Once Upon a Time in Hollywood and one of the most important skills a screenwriter needs: the ability to develop a distinctive take on historical material or a pitch for a work-for-hire project that makes your approach to a story unique from any other writer.
In this podcast, indie producer and filmmaker Ramfis Myrthil joins Jacob Krueger for a conversation on the business of self-producing: how to properly pitch your project, master the art of following up, attract financial backing and create the right team to make your movie a success.
This week, Jacob Krueger discusses Chernobyl as an example of how to write an essential and effective miniseries, what makes the miniseries format so unique, and how to determine whether your project has the epic scope, relevant theme, visual beauty, and character journey needed to become a miniseries.
In his final Game of Thrones podcast, Jacob Krueger discusses the series finale and the lessons it has to offer screenwriters regarding the importance of compression in keeping your audience engaged and on the edge of their seats until the very end.
This week, Jacob Krueger analyzes Episode 5 and discusses how the three levels of structure – plot, emotion, and theme – need to tie together to create a powerful journey for both your characters and your audience.
Jacob Krueger compares and contrasts two Game of Thrones pilots: Season 8, Episode 1 and Season 1, Episode 1, to show you the elements of a successful pilot, and how, as a writer, you can benefit from “saving the best for first.”
For eight seasons, Game of Thrones has attracted and retained a devoted audience. Now drawing to a dramatic finale in Season 8, this week we take a look back at Season 1 and how by building a powerful series engine the show has kept viewers flocking back to this fantastical world year after year.
This week, we’re going to be talking about Roma by Alfonso Cuarón. Roma is an extraordinary film that harkens back to a different era of storytelling. It’s shot in black and white, despite having a substantial budget. It’s entirely in Spanish. And, in a way, the whole film is a love poem for Alfonso Cuarón’s real-life nanny from his childhood
This podcast was taken from our vault. If you are interested in studying with Steve our next class starts Nov 16 – 17; you can sign up here. From GoodFellas to Breaking Bad with Stephen Molton Jake: Today on the podcast, I have a special guest, Steve Molton. Steve is a mentor here at Jacob Krueger Studio, and he’s also