Category: Screenwriting Articles

Why Am I Procrastinating?

Why Am I Procrastinating? I want to start today’s podcast with a personal story, something that happened to me early in my writing career. I had just sold my first screenplay, which meant I got to do the thing that everybody dreams of doing, the thing that I had always dreamed of doing. I got […]

Parasite vs Little Miss Sunshine

In his second podcast about the film Parasite, Jacob Krueger discusses how thematic exploration not only informs the tone and structure of your screenwriting, but allows your story to unfold more naturally and take your audience on a powerful journey that can help them see others through more understanding eyes.

The Irishman: What’s Your Character’s “Thing”?

What’s the “thing” that makes your character tick? In this podcast, Jacob Krueger discusses The Irishman and demonstrates how understanding one simple element of character can help you build your structure, sharpen the focus of your rewrites, and create the kinds of characters that attract A-list stars..

Succession Season 2: Generating an Advanced Series Engine

In this podcast, Jacob Krueger analyzes the Season 2 pilot episode of Succession and shares how building a series engine from a personal place of truth will help you create the roadmap for a show that can continue to grow for several seasons.

Once Upon a Time in Hollywood: How To Pitch A Work For Hire Project

This week, Jacob Krueger discusses Once Upon a Time in Hollywood and one of the most important skills a screenwriter needs: the ability to develop a distinctive take on historical material or a pitch for a work-for-hire project that makes your approach to a story unique from any other writer.

Chernobyl: How To Write A Miniseries

This week, Jacob Krueger discusses Chernobyl as an example of how to write an essential and effective miniseries, what makes the miniseries format so unique, and how to determine whether your project has the epic scope, relevant theme, visual beauty, and character journey needed to become a miniseries.

ROMA: Turning Your Life Story Into A Screenplay

ROMA: Turning Your Life Story Into A Screenplay This week, we’re going to be talking about Roma by Alfonso Cuarón. Roma is an extraordinary film that harkens back to a different era of storytelling. It’s shot in black and white, despite having a substantial budget. It’s entirely in Spanish. And, in a way, the whole […]

Beautiful Boy – Where Does Screenplay Structure Come From?

Beautiful Boy – Where Does Screenplay Structure Come From? This week we’re going to be talking about Beautiful Boy by Luke Davis and Felix van Groeningen. This is a particularly interesting film to discuss in light of our last podcast where we talked about Destroyer and the use of flashbacks in a movie, because Beautiful […]

Destroyer: How to Use Flashbacks in Your Script

Learn from Destroyer how to use flashbacks in your script. We’ll discuss the common pitfalls that can make flashbacks dangerous, and the questions you can ask yourself when using flashbacks to determine if your flashbacks are likely to make the structure of your script stronger, or to get in the way.

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    To be clear, you assign to the Company only your oral statements during recorded Course sessions. You retain all copyright to any and all written materials you submit to the class and the right to use them in any way you choose without permission from or compensation to the Company.

 

 

Last Updated: May 13, 2025 2:00 PM EST

Participant Agreement

By registering for the course, you are agreeing to the following terms, which form a legal contract between you and Jacob Krueger Studio, LLC (“Company”) and govern your attendance at and/or participation in Company’s course (the “Course”). 

  1. Course Participation.
    1. Admittance.  Your registration entitles you to admittance to the Course.  Any and all other costs associated with your attendance (including, without limitation, any travel or accommodation expenses) shall be borne solely by you and Company shall not be liable for any such costs.
    2. Media.  For good and valuable consideration, the receipt and sufficiency of which are hereby acknowledged, you grant Company the right to record, film, photograph or capture your likeness in connection with the Course, in any media now available and hereafter developed (“Course Footage”).  You further grant to Company in perpetuity the rights to use, license, edit, copy, distribute, publicly display and make derivative works of the Course Footage, including exploitation for marketing, advertising or merchandising related to the Course, throughout the universe.  You hereby waive any and all approval rights you may have over Company’s use of the Course Footage and acknowledge these rights are granted without any payment, including royalties or residuals, to you.
    3. Conduct.  You acknowledge that Company reserves the right to request your removal from the Course if Company, in its sole discretion, considers your presence or behavior to create a disruption or to hinder the Course or the enjoyment of the Course by other attendees or speakers.
  2. Fee(s).
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  6. Dispute Resolution.  All claims and disputes arising under or relating to this agreement are to be settled by binding arbitration in the state of New York or another location mutually agreeable to the parties.  The arbitration shall be conducted on a confidential basis pursuant to the Commercial Arbitration Rules of the American Arbitration Association.  Any decision or award as a result of any such arbitration proceeding shall be in writing and shall provide an explanation for all conclusions of law and fact and shall include the assessment of costs, expenses, and reasonable attorneys’ fees by the winner against the loser.  Any such arbitration shall include a written record of the arbitration hearing.  An award of arbitration may be confirmed in a court of competent jurisdiction.
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  8. Prevention of “Zoom-Bomber” Disruptions; Unauthorized Publication of Class Videos. Company will record each class session, including your participation in the session, entitled “The Videos”. To prevent disruptions by “zoom-bombers” and provide Company and

    participants the legal standing to remove unauthorized content from platforms such as YouTube and social media sites, you agree that

    (1) you are prohibited from recording any portion of the Course;

    (2) in exchange for the opportunity to participate in the Course, you assign to Company your verbal contributions to the session discussions.

    To be clear, you assign to Company only your oral statements during recorded Course sessions. You retain all copyright to any and all written materials you submit to the class and the right to use them in any way you choose without permission from or compensation to the Company.

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