Linda Roberts


strong>Linda Roberts’s students at JK Studio have won Best Screenplay at Beverly Hills International Film Festival, Best Script at Marbella (Spain). Best Screenplay at Macabre Faire Film Festival, Finalist at Meryl Streep’s Writers Lab, Finalist and First Runner-up at Creative World Awards, Semifinalist at Table Read My Screenplay, Quarterfinalist at Scriptapalooza, the DreamAgo International Fellowship (Switzerland), plus Austin Second Rounders. Her students have been nominated for Best of Fest and Best Screenwriter at Short Stop International Film Festival, and Best Comedy at NOVA (Northern VA) Film Festival, as well as screening and winning awards at over a dozen other national and international festivals.

Among her students’ other successes, one sold and published a 5-novel sci-fi series. Another has published a collection of one-act plays and debuted his full-length play Off-Broadway. Several have published memoirs. Prior to joining Jacob Krueger Studio, Linda was a Senior Production Editor for over 15 years at Simon and Schuster. She has edited fiction and nonfiction by New York Times Bestselling authors and Tony Award-winning playwrights.


“Linda Roberts is an expert. Copyediting is not a side business; it is her vocation. She is concise, accurate, and makes any manuscript better. Best of all, she is professional and delivers on time. I recommend her without reservation.”

—Steven Arvanites,

Founder,; BlueCat winner; Page Awards Finalist; Nicholl Fellowship Finalist; and Sundance Screen Lab Finalist

“I had been editing my own scripts and was getting comments like ‘had problems with grammar and typos.’ I also got negative comments about script structure. I contacted Linda Roberts. It was the best move I ever made. Linda is a true professional and a meticulous editor. She found all of my mistakes and made the corrections, things I never would have spotted. I got my work back in a timely fashion and was very pleased. I’ll never send out a script again before Linda reads it. I highly recommend her.”

—Steve Einhorn,


“Extremely professional and accurate over and beyond. You will not be disappointed, and I would not go to anyone else.”

—Michael Quintero,

Top 100 Emerging Screenwriters, and Scriptapalooza Quarter Finalist

“My experience with Linda Roberts as an editor has been outstanding. She took my admittedly messy screenplay and cleaned it up completely and magnificently. When I finish the rewrite of my next screenplay, I’m calling Linda immediately.”

—Joe Dixon,


“There’s not a writer alive who doesn’t appreciate having a ‘net’ beneath his or her work—someone who will comb through the writing for clarity, proper spelling and punctuation, consistency (in content and style), and factual accuracy. Linda is such a net. Having worked with her—both as a copyeditor at Simon & Schuster and a freelance editor—I can say without reservation that her work is spotless and thorough. The need for Linda’s brand of reliable copyediting cannot be understated. It is this very excellence that makes me return to her again and again. It is a testament to Linda’s fine work that I have hired her to copyedit book manuscripts for me after they have already been vetted by the publishing house. I have recommended Linda to friends and colleagues in need of good copyediting, and every one of them has been just as thrilled with her fine work as I have been. It is with great pleasure that I recommend Linda Roberts.”

—Bruce Kluger,

Board of Contributors: USA Today Contributor: National Public Radio, Psychology Today, New York Times

“As editor of Inside Arts magazine, I called on Linda to interview David Henry Hwang. Not only does she have prodigious writing and editing skills, but she has a lifetime of experience in theater. I knew she would ask the right questions, choose the most telling responses, and craft an article that would do us proud. Linda is a consummate professional, and it is always a pleasure to work with her. I would recommend her for any editing job.”

—Gayle Stamler,

Associate Director of Communications, Clarice Smith Performing Arts Center, University of Maryland


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By registering for the course, you are agreeing to the following terms, which form a legal contract between you and Jacob Krueger Studio, LLC (“Company”) and govern your attendance at and/or participation in Company’s course (the “Course”). 

  1. Course Participation.
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    2. Media.  For good and valuable consideration, the receipt and sufficiency of which are hereby acknowledged, you grant Company the right to record, film, photograph or capture your likeness in connection with the Course, in any media now available and hereafter developed (“Course Footage”).  You further grant to Company in perpetuity the rights to use, license, edit, copy, distribute, publicly display and make derivative works of the Course Footage, including exploitation for marketing, advertising or merchandising related to the Course, throughout the universe.  You hereby waive any and all approval rights you may have over Company’s use of the Course Footage and acknowledge these rights are granted without any payment, including royalties or residuals, to you.
    3. Conduct.  You acknowledge that Company reserves the right to request your removal from the Course if Company, in its sole discretion, considers your presence or behavior to create a disruption or to hinder the Course or the enjoyment of the Course by other attendees or speakers.
  2. Fee(s).
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  7. Miscellaneous.  Company may transfer and assign this agreement or all or any of its rights or privileges hereunder to any entity or individual without restriction.  This agreement shall be binding on all of your successors-in-interest, heirs and assigns.  This agreement sets forth the entire agreement between you and the Company in relation to the Course, and you acknowledge that in entering into it, you are not relying upon any promises or statements made by anyone about the nature of the Course or your Contributions or the identity of any other participants or persons involved with the Course.  This agreement may not be altered or amended except in writing signed by both parties.
  8. Prevention of “Zoom-Bomber” Disruptions; Unauthorized Publication of Class Videos. Company will record each class session, including your participation in the session, entitled “The Videos”. To prevent disruptions by “zoom-bombers” and provide Company and

    participants the legal standing to remove unauthorized content from platforms such as YouTube and social media sites, you agree that

    (1) you are prohibited from recording any portion of the Course;

    (2) in exchange for the opportunity to participate in the Course, you assign to Company your verbal contributions to the session discussions.

    To be clear, you assign to Company only your oral statements during recorded Course sessions. You retain all copyright to any and all written materials you submit to the class and the right to use them in any way you choose without permission from or compensation to the Company.

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