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	<title>Write Your Screenplay &#187; Script Notes &amp; Feedback</title>
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		<title>Are You Afraid of Cliche?</title>
		<link>http://www.writeyourscreenplay.com/2011/12/11/are-you-afraid-of-cliche/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/11/are-you-afraid-of-cliche/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 05:42:22 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Crazy Stupid Love]]></category>
		<category><![CDATA[Finding Your Hook]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4075</guid>
		<description><![CDATA[Is your fear of cliche killing your writing? In this video I recently recorded for Scriptmag, I discuss the screenplay for Crazy Stupid Love and how you can engage with your cliches in a healthy way, in order to set your creativity free and and create the kinds of fresh and exciting scenes you dream [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Are You Thankful For Your Writing?</title>
		<link>http://www.writeyourscreenplay.com/2011/11/24/are-you-thankful-for-your-writing/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/24/are-you-thankful-for-your-writing/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 13:13:47 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=937</guid>
		<description><![CDATA[On this Thanksgiving Holiday, I&#8217;d like to invite you to take a moment to ask yourself the following question: What are you thankful for in your writing? So often, we spend our time criticizing ourselves, searching for what is wrong, and what can be improved in the words we write.  And certainly there is value [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/11/24/are-you-thankful-for-your-writing/feed/</wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>What if Someone Steals Your Idea?</title>
		<link>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 13:05:00 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<category><![CDATA[Plagiarism]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3098</guid>
		<description><![CDATA[100 RULES AND HOW TO BREAK THEM: Rule #3: Be Careful Who You Pitch To It’s a constant fear among young writers: finally coming up with that million dollar idea, only to have it stolen by some mustache twirling producer, some back-stabbing friend, or even worse, some untalented hack of a writer. For this reason, scores [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>100 Rules and How To Break Them.</title>
		<link>http://www.writeyourscreenplay.com/2011/09/29/100-screenwriting-rules-and-how-to-break-them-write-what-you-know-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/09/29/100-screenwriting-rules-and-how-to-break-them-write-what-you-know-nyc/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 14:34:42 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
		<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2846</guid>
		<description><![CDATA[100 Rules and How To Break Them Introducing my new series &#8220;100 Rules and How To Break Them!&#8221;  Each week, I&#8217;ll be analyzing one of the so called &#8220;rules&#8221; of screenwriting, and exploring both why they exist, and how to break them in interesting ways that make your writing better and your stories more powerful. RULE [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Inexplicable Redemption of Agent G</title>
		<link>http://www.writeyourscreenplay.com/2011/04/01/script-analysis-the-inexplicable-redemption-of-agent-g-vampire-cowboys-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/04/01/script-analysis-the-inexplicable-redemption-of-agent-g-vampire-cowboys-nyc/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 23:01:20 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Script Analysis]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1460</guid>
		<description><![CDATA[The Vampire Cowboys’ new play, THE INEXPLICABLE REDEMPTION OF AGENT G, is more than just a hilarious genre bending, kick-ass-ninja-stage-fighting, comic book romp. It’s also a profound look at what it means to find and follow your voice as a writer, the inexplicable questions of identity and the challenge of telling a true story in [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Cleese On Creativity</title>
		<link>http://www.writeyourscreenplay.com/2010/10/29/john-cleese-on-creativity/</link>
		<comments>http://www.writeyourscreenplay.com/2010/10/29/john-cleese-on-creativity/#comments</comments>
		<pubDate>Fri, 29 Oct 2010 06:00:09 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=838</guid>
		<description><![CDATA[Here&#8217;s a guy who really understands how to get in touch with your creative mind. Watch the video and learn: How rewriting from memory can be better than editing from the page. How to create space for your writing within the hectic schedule of your everyday life. How the real work of writing happens without [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Do You Really Have To Write This Thing?</title>
		<link>http://www.writeyourscreenplay.com/2010/06/29/do-you-really-have-to-write-this-thing/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/29/do-you-really-have-to-write-this-thing/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 15:39:15 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=570</guid>
		<description><![CDATA[Recently a student asked me the following question: Can I write a synopsis/storyline, complete with time era, scenery and plot for a movie, and have someone else develop the characters and dialogue? This is essentially what producers do in Hollywood.  But it&#8217;s very, very hard for young writers to sell movies this way.  And it&#8217;s [...]]]></description>
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		<title>Feedback Part 5: How To Talk About The Bad Stuff</title>
		<link>http://www.writeyourscreenplay.com/2010/06/03/screenwriting-feedback-part-5-screenplay-notes-how-to-talk-about-the-bad-stuff/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/03/screenwriting-feedback-part-5-screenplay-notes-how-to-talk-about-the-bad-stuff/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 19:46:17 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=458</guid>
		<description><![CDATA[Read the whole Feedback series:  Part 1, Part 2, Part 3, Part 4 It&#8217;s a simple fact.  Writers don&#8217;t like most of what they write. And they don&#8217;t like most of what they read either. Writers can be like rabid bloodhounds, ready to sniff out every flaw in a screenplay at a moment&#8217;s notice. This [...]]]></description>
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		<title>Feedback Part 4: Begin With What Works</title>
		<link>http://www.writeyourscreenplay.com/2010/06/01/screenplay-feedback-part-4-begin-with-what-works/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/01/screenplay-feedback-part-4-begin-with-what-works/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 20:01:34 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<category><![CDATA[Notes]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=449</guid>
		<description><![CDATA[Read the whole Feedback series:  Part 1, Part 2, Part 3 All writers give and receive notes all the time.  We give notes to our friends, our colleagues, our writing buddies, and most importantly to ourselves.  We receive notes from producers, directors, teachers, agents, friends, family, and fellow writing students. But how many of these [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/06/01/screenplay-feedback-part-4-begin-with-what-works/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Feedback Part 3:  A New Approach To Feedback</title>
		<link>http://www.writeyourscreenplay.com/2010/05/30/feedback-part-3-a-new-approach-to-screenplay-feedback-and-notes/</link>
		<comments>http://www.writeyourscreenplay.com/2010/05/30/feedback-part-3-a-new-approach-to-screenplay-feedback-and-notes/#comments</comments>
		<pubDate>Sun, 30 May 2010 17:17:41 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=446</guid>
		<description><![CDATA[As I discussed in part 1 and part 2 of this series, writing is a highly intuitive process.  When notes take us away from our organic connection to our scripts, they tend to do more harm than good, no matter how helpful they may seem. 

Whether you are a professional writer, or just picking up the pen for the first time, you're going to have to deal with notes all the time.  From producers, from actors, from directors, from other writers, from family, from friends, and even from yourself.

And guess what.  You're going to need them.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/05/30/feedback-part-3-a-new-approach-to-screenplay-feedback-and-notes/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Script Feedback Part 2: The Danger Of Other People’s Ideas</title>
		<link>http://www.writeyourscreenplay.com/2010/05/28/script-feedback-part-2-the-danger-of-other-peoples-ideas/</link>
		<comments>http://www.writeyourscreenplay.com/2010/05/28/script-feedback-part-2-the-danger-of-other-peoples-ideas/#comments</comments>
		<pubDate>Fri, 28 May 2010 15:27:17 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=441</guid>
		<description><![CDATA[It's easy for most writers to identify a obviously terrible note.  The real danger occurs with the ones that often seem to be the most intelligent...]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Is Feedback Destroying Your Work?</title>
		<link>http://www.writeyourscreenplay.com/2010/05/27/is-feedback-destroying-your-work/</link>
		<comments>http://www.writeyourscreenplay.com/2010/05/27/is-feedback-destroying-your-work/#comments</comments>
		<pubDate>Thu, 27 May 2010 15:00:51 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=437</guid>
		<description><![CDATA[When I finished my first screenplay, I did what any self-respecting screenwriter does.  I sent it to my mom.  She read the script, and called me gushing with pride.

For about half an hour, my mom waxed poetic about every nuance of the script: the story, the imagery, the profound metaphorical qualities.

She only had one question.  Even though it all "worked", she was a little bit confused about why the characters were saying certain dialogue to each other...

"EXT. STREET - DAY" for example.

That was when I realized I was in trouble.]]></description>
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		<slash:comments>1</slash:comments>
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