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		<title>Rule #6: You Need To Make Writing a Full Time Job</title>
		<link>http://www.writeyourscreenplay.com/2011/12/28/screenwriting-rules-and-how-to-break-them-rule-6-you-need-to-make-writing-a-full-time-job/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/28/screenwriting-rules-and-how-to-break-them-rule-6-you-need-to-make-writing-a-full-time-job/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 14:45:57 +0000</pubDate>
		<dc:creator>Rachel</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4455</guid>
		<description><![CDATA[100 Rules and How To Break Them Rule #6: You Need To Make Writing a Full Time Job If you&#8217;re a writer, at some point you&#8217;ve probably heard yourself say some version of the following sentence: &#8220;If I could just get (one day/one week/one month/one year) off from my (day job/kids/spouse/everyday life) to focus full [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/12/28/screenwriting-rules-and-how-to-break-them-rule-6-you-need-to-make-writing-a-full-time-job/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rule #5: Showing vs. Telling</title>
		<link>http://www.writeyourscreenplay.com/2011/11/21/screenwriting-rules-and-how-to-break-them-rule-5-show-dont-tell/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/21/screenwriting-rules-and-how-to-break-them-rule-5-show-dont-tell/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 19:11:24 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3756</guid>
		<description><![CDATA[100 Rules and How To Break Them Rule #5:  Show Don&#8217;t Tell That you should &#8220;show&#8221; instead of &#8220;telling&#8221; is perhaps the most sound advice any screenwriter can follow. After all, movies are visual, and it&#8217;s almost always more interesting to see someone do something right now in the present than to hear them talk [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/11/21/screenwriting-rules-and-how-to-break-them-rule-5-show-dont-tell/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NEW VIDEO: How To Avoid A Dud Ending</title>
		<link>http://www.writeyourscreenplay.com/2011/11/08/screenwriting-video-how-to-avoid-a-dud-ending-for-your-screenplay-nyc-online/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/08/screenwriting-video-how-to-avoid-a-dud-ending-for-your-screenplay-nyc-online/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 18:44:56 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3243</guid>
		<description><![CDATA[Se7en: How To Avoid A Dud Ending Check out this new video I recently recorded for Scriptmag.com and learn how to discover a great ending for your screenplay.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/11/08/screenwriting-video-how-to-avoid-a-dud-ending-for-your-screenplay-nyc-online/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Inciting Incident</title>
		<link>http://www.writeyourscreenplay.com/2011/11/05/screenwriting-rules-and-how-to-break-them-rule-4-inciting-incident/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/05/screenwriting-rules-and-how-to-break-them-rule-4-inciting-incident/#comments</comments>
		<pubDate>Sat, 05 Nov 2011 13:35:13 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3211</guid>
		<description><![CDATA[100 Rules and How To Break Them Rule #4 THE INCITING INCIDENT This installment of the 100 Rules series grows directly out of a question from a former student: I have a question and thought I needed a fresh perspective from someone outside UCLA… I&#8217;m sort of getting in a fight with the teacher of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What if Someone Steals Your Idea?</title>
		<link>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 13:05:00 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3098</guid>
		<description><![CDATA[100 RULES AND HOW TO BREAK THEM: Rule #3: Be Careful Who You Pitch To It’s a constant fear among young writers: finally coming up with that million dollar idea, only to have it stolen by some mustache twirling producer, some back-stabbing friend, or even worse, some untalented hack of a writer. For this reason, scores [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>The Legal Hurdles of Adapting A Novel or Book</title>
		<link>http://www.writeyourscreenplay.com/2010/12/01/the-legal-hurdles-of-adapting-a-novel-or-book-into-screenplay-form/</link>
		<comments>http://www.writeyourscreenplay.com/2010/12/01/the-legal-hurdles-of-adapting-a-novel-or-book-into-screenplay-form/#comments</comments>
		<pubDate>Wed, 01 Dec 2010 14:00:19 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
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		<category><![CDATA[adapt a book]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=957</guid>
		<description><![CDATA[Here&#8217;s a question I recently received from a student: The Question: Given that I have very few connections to the industry, how would you best recommend moving forward if I have a novel in mind I&#8217;d like to adapt?&#8230; Is it necessary to have a literary agent? Is it best to go through the publishers [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Do You Really Have To Write This Thing?</title>
		<link>http://www.writeyourscreenplay.com/2010/06/29/do-you-really-have-to-write-this-thing/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/29/do-you-really-have-to-write-this-thing/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 15:39:15 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=570</guid>
		<description><![CDATA[Recently a student asked me the following question: Can I write a synopsis/storyline, complete with time era, scenery and plot for a movie, and have someone else develop the characters and dialogue? This is essentially what producers do in Hollywood.  But it&#8217;s very, very hard for young writers to sell movies this way.  And it&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What’s Wrong With SAVE THE CAT?</title>
		<link>http://www.writeyourscreenplay.com/2010/04/05/whats-wrong-with-save-the-cat/</link>
		<comments>http://www.writeyourscreenplay.com/2010/04/05/whats-wrong-with-save-the-cat/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 14:35:09 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
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		<category><![CDATA[Blake Snyder's Save The Cat]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/blog/?p=175</guid>
		<description><![CDATA[Blake Snyder's Save The Cat! just might be the most dangerous book out there for writers.

And you should read it.

But first, you need to recognize how to harness what's valuable in Save The Cat!, while understanding the principles that make it so potentially destructive.

Blake Snyder isn't dangerous because he is wrong.  He's not.  He's not dangerous because his ideas about how to build a script around a great premise aren't brilliant.   They are.

Blake Snyder is dangerous because he doesn't teach you how to be a writer.  He teaches you how to be a salesperson.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>To Lawyer Or Not To Lawyer?</title>
		<link>http://www.writeyourscreenplay.com/2010/01/22/to-lawyer-or-not-to-lawyer/</link>
		<comments>http://www.writeyourscreenplay.com/2010/01/22/to-lawyer-or-not-to-lawyer/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 07:58:53 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=157</guid>
		<description><![CDATA[A question from a student: Question for you: I wrote a short script that this guy wants to film and possibly enter into some festivals. I just want the writing credit, no money- do you think a contract is necessary in a case like this? Or is a gentleman&#8217;s agreement usually good? Luke S. Jake&#8217;s [...]]]></description>
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