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	<title>Write Your Screenplay &#187; READ THE BLOG</title>
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	<link>http://www.writeyourscreenplay.com</link>
	<description>Screenwriting Workshops, Classes &#38; Retreats in NYC and Online</description>
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		<title>The Power of the First and Last Image</title>
		<link>http://www.writeyourscreenplay.com/2012/01/30/the-power-of-the-first-and-last-image/</link>
		<comments>http://www.writeyourscreenplay.com/2012/01/30/the-power-of-the-first-and-last-image/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 22:14:41 +0000</pubDate>
		<dc:creator>Rachel</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[For Students]]></category>
		<category><![CDATA[Monday Night Workshop]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>
		<category><![CDATA[film writing]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[learn to write a screenplay]]></category>
		<category><![CDATA[movie writing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[New York]]></category>
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		<category><![CDATA[plot]]></category>
		<category><![CDATA[screen play]]></category>
		<category><![CDATA[screen play structure]]></category>
		<category><![CDATA[screen writing]]></category>
		<category><![CDATA[screen writing courses]]></category>
		<category><![CDATA[screen writing workshops]]></category>
		<category><![CDATA[screenplay structure]]></category>
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		<category><![CDATA[screenwriting classes]]></category>
		<category><![CDATA[script classes]]></category>
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		<category><![CDATA[Write Your Screenplay]]></category>
		<category><![CDATA[writer's block]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=5163</guid>
		<description><![CDATA[Does a chain email hold the secret to your script? A friend of mine recently sent me a chain email.  Normally, I just delete these without reading.  But because of the person who had sent it, I decided to take a look. The email went something like this: “Aoccdrnig to a rscheearch at an Enligsh [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Congrats to Our Challenge Party Winners!</title>
		<link>http://www.writeyourscreenplay.com/2012/01/30/congrats-to-our-challenge-party-winners/</link>
		<comments>http://www.writeyourscreenplay.com/2012/01/30/congrats-to-our-challenge-party-winners/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 19:44:03 +0000</pubDate>
		<dc:creator>Rachel</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=5127</guid>
		<description><![CDATA[Thanks to everyone who came out to our Challenge Party last night!   And congratulations to the winners of our fantastic prizes! Here they are (in all their prize-winning glory): Winner: Mary Allen 2 Tickets to Jacob Krueger&#8217;s Upcoming Inception &#38; Hypnotic Structure Seminar Winner: Dara Schlissel $100 off ANY Screenwriting Class at Jacob Krueger Studio Winner: Harry Husted [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2012/01/30/congrats-to-our-challenge-party-winners/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Challenge Check In #3: Make Your Last Week Count</title>
		<link>http://www.writeyourscreenplay.com/2012/01/23/screenwriting-challenge-check-in-3-make-your-last-week-of-writing-count-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2012/01/23/screenwriting-challenge-check-in-3-make-your-last-week-of-writing-count-nyc/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 22:20:40 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[2011 Screenwriting Challenge]]></category>
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1182</guid>
		<description><![CDATA[Can you believe it? Only one week left until the end of the 2012 Screenwriting Challenge! Haven&#8217;t picked up the pen yet?  What are you waiting for?  That&#8217;s the great thing about the challenge, you can start anytime. So grab your journal, find a pen, and start writing right now.  Start writing as fast as [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2012/01/23/screenwriting-challenge-check-in-3-make-your-last-week-of-writing-count-nyc/feed/</wfw:commentRss>
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		</item>
		<item>
		<title>Screenwriting Challenge Party Jan 29th!</title>
		<link>http://www.writeyourscreenplay.com/2012/01/19/screenwriting-challenge-party-jan-29th/</link>
		<comments>http://www.writeyourscreenplay.com/2012/01/19/screenwriting-challenge-party-jan-29th/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 23:55:23 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[2012 Screenwriting Challenge]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4981</guid>
		<description><![CDATA[Announcing The 2012 Screenwriting Challenge Party! (With 1 hour of Free Open Bar!) Sunday, January 29th, 7pm – 9pm Culture Fix 9 Clinton St, New York, NY 10002 (between E Houston &#38; Stanton) Free open bar from 7-8pm when you RSVP by Jan 28th at 1pm. Celebrate your achievement, drink great wine, win prizes, share [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Challenge Check In #2: What To Do If It&#8217;s Just Not Coming?</title>
		<link>http://www.writeyourscreenplay.com/2012/01/16/challenge-check-in-2-what-to-do-when-its-just-not-coming/</link>
		<comments>http://www.writeyourscreenplay.com/2012/01/16/challenge-check-in-2-what-to-do-when-its-just-not-coming/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 14:35:48 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[2011 Screenwriting Challenge]]></category>
		<category><![CDATA[2012 Screenwriting Challenge]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[7 act structure]]></category>
		<category><![CDATA[film structure]]></category>
		<category><![CDATA[film writing]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[learn to write a screenplay]]></category>
		<category><![CDATA[movie writing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[procrastination]]></category>
		<category><![CDATA[screen play]]></category>
		<category><![CDATA[screenplay structure]]></category>
		<category><![CDATA[screenplay writing classes]]></category>
		<category><![CDATA[Screenwriting Challenge]]></category>
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		<category><![CDATA[Write Your Screenplay]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[writing structure]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=150</guid>
		<description><![CDATA[We&#8217;re now more than halfway through the 2012 Screenwriting Challenge. For those of you who are still writing every day, congratulations! You&#8217;re taking a giant step toward becoming the writer you want to be. But what if you&#8217;re struggling? What if your writing schedule is spotty or uneven? What if there were some days when [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Screenwriting Challenge Check In</title>
		<link>http://www.writeyourscreenplay.com/2012/01/09/screenwriting-challenge-check-in-1/</link>
		<comments>http://www.writeyourscreenplay.com/2012/01/09/screenwriting-challenge-check-in-1/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 18:54:08 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[2011 Screenwriting Challenge]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[film writing]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[learn to write a screenplay]]></category>
		<category><![CDATA[movie writing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[screen play]]></category>
		<category><![CDATA[screen play structure]]></category>
		<category><![CDATA[screen writing]]></category>
		<category><![CDATA[screen writing courses]]></category>
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		<category><![CDATA[screenplay structure]]></category>
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		<category><![CDATA[writer's block]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=148</guid>
		<description><![CDATA[We&#8217;re now a week into the 2012 Screenwriting Challenge, and the response has been tremendous. I&#8217;ve heard from so many of you, expressing the excitement of those who are enjoying the challenge, as well as the questions of those who are struggling with it. Here are some of the common questions that tend to come [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2012 Screenwriting Challenge</title>
		<link>http://www.writeyourscreenplay.com/2011/12/31/2012-screenwriting-challenge/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/31/2012-screenwriting-challenge/#comments</comments>
		<pubDate>Sat, 31 Dec 2011 13:22:57 +0000</pubDate>
		<dc:creator>Rachel</dc:creator>
				<category><![CDATA[2012 Screenwriting Challenge]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Blog 7 act structure]]></category>
		<category><![CDATA[film structure]]></category>
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		<category><![CDATA[films]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
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		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[learn to write a screenplay]]></category>
		<category><![CDATA[movie writing]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[plot]]></category>
		<category><![CDATA[procrastination]]></category>
		<category><![CDATA[screen play]]></category>
		<category><![CDATA[screen play structure]]></category>
		<category><![CDATA[screen writing]]></category>
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		<category><![CDATA[screenplay structure]]></category>
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		<category><![CDATA[screenplay writing courses]]></category>
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		<category><![CDATA[screenwriting courses]]></category>
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		<category><![CDATA[Script Analysis]]></category>
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		<category><![CDATA[seven act structure]]></category>
		<category><![CDATA[three act structure]]></category>
		<category><![CDATA[Write Your Screenplay]]></category>
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		<category><![CDATA[writing structure]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4142</guid>
		<description><![CDATA[Begin Your New Year WRITE! With my 4th Annual 2012 SCREENWRITING CHALLENGE Why The Challenge? Let’s face it, the holidays are a brutal time for writers. We all do our best writing when we get into a rhythm. But during the holiday season that rhythm can be impossible to maintain. Schedules get jammed with Christmas [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rule #6: You Need To Make Writing a Full Time Job</title>
		<link>http://www.writeyourscreenplay.com/2011/12/28/screenwriting-rules-and-how-to-break-them-rule-6-you-need-to-make-writing-a-full-time-job/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/28/screenwriting-rules-and-how-to-break-them-rule-6-you-need-to-make-writing-a-full-time-job/#comments</comments>
		<pubDate>Wed, 28 Dec 2011 14:45:57 +0000</pubDate>
		<dc:creator>Rachel</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Screenwriting Business]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4455</guid>
		<description><![CDATA[100 Rules and How To Break Them Rule #6: You Need To Make Writing a Full Time Job If you&#8217;re a writer, at some point you&#8217;ve probably heard yourself say some version of the following sentence: &#8220;If I could just get (one day/one week/one month/one year) off from my (day job/kids/spouse/everyday life) to focus full [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Should You Write An Ensemble Piece?</title>
		<link>http://www.writeyourscreenplay.com/2011/12/17/should-you-write-an-ensemble-piece/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/17/should-you-write-an-ensemble-piece/#comments</comments>
		<pubDate>Sat, 17 Dec 2011 14:58:31 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Crash]]></category>
		<category><![CDATA[Ensemble Pieces]]></category>
		<category><![CDATA[The Tree of Life]]></category>
		<category><![CDATA[100 rules and how to break them]]></category>
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		<category><![CDATA[antagonist]]></category>
		<category><![CDATA[Blake Snyder]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4171</guid>
		<description><![CDATA[What do most of Robert Altman&#8217;s films, and screenplays like Crash and The Tree of Life have in common? They&#8217;re all ensemble pieces. So why do so many screenwriting teachers warn against writing for ensembles? And should you dare to write an ensemble piece yourself? Check out this new video for Scriptmag, in which I [...]]]></description>
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		<item>
		<title>Are You Afraid of Cliche?</title>
		<link>http://www.writeyourscreenplay.com/2011/12/11/are-you-afraid-of-cliche/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/11/are-you-afraid-of-cliche/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 05:42:22 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Crazy Stupid Love]]></category>
		<category><![CDATA[Finding Your Hook]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=4075</guid>
		<description><![CDATA[Is your fear of cliche killing your writing? In this video I recently recorded for Scriptmag, I discuss the screenplay for Crazy Stupid Love and how you can engage with your cliches in a healthy way, in order to set your creativity free and and create the kinds of fresh and exciting scenes you dream [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The 2012 Screenwriting Fellowship</title>
		<link>http://www.writeyourscreenplay.com/2011/12/01/announcing-the-2012-screenwriting-fellowship/</link>
		<comments>http://www.writeyourscreenplay.com/2011/12/01/announcing-the-2012-screenwriting-fellowship/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 15:23:00 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3961</guid>
		<description><![CDATA[Just in case you needed another reason to finish your screenplay, here&#8217;s a chance to win a full scholarship to my 2012 Screenwriting Retreat! The Jacob Krueger Studio Screenwriting Fellowship No Entry Fee when you submit your screenplay by Jan 1, 2012 Winner attends the 2012 Screenwriting Retreat FREE (expected destination: Costa Rica). Even your airfare is included! For [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Are You Thankful For Your Writing?</title>
		<link>http://www.writeyourscreenplay.com/2011/11/24/are-you-thankful-for-your-writing/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/24/are-you-thankful-for-your-writing/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 13:13:47 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=937</guid>
		<description><![CDATA[On this Thanksgiving Holiday, I&#8217;d like to invite you to take a moment to ask yourself the following question: What are you thankful for in your writing? So often, we spend our time criticizing ourselves, searching for what is wrong, and what can be improved in the words we write.  And certainly there is value [...]]]></description>
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		<slash:comments>9</slash:comments>
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		<item>
		<title>Rule #5: Showing vs. Telling</title>
		<link>http://www.writeyourscreenplay.com/2011/11/21/screenwriting-rules-and-how-to-break-them-rule-5-show-dont-tell/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/21/screenwriting-rules-and-how-to-break-them-rule-5-show-dont-tell/#comments</comments>
		<pubDate>Mon, 21 Nov 2011 19:11:24 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3756</guid>
		<description><![CDATA[100 Rules and How To Break Them Rule #5:  Show Don&#8217;t Tell That you should &#8220;show&#8221; instead of &#8220;telling&#8221; is perhaps the most sound advice any screenwriter can follow. After all, movies are visual, and it&#8217;s almost always more interesting to see someone do something right now in the present than to hear them talk [...]]]></description>
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		<item>
		<title>NEW VIDEO: How To Avoid A Dud Ending</title>
		<link>http://www.writeyourscreenplay.com/2011/11/08/screenwriting-video-how-to-avoid-a-dud-ending-for-your-screenplay-nyc-online/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/08/screenwriting-video-how-to-avoid-a-dud-ending-for-your-screenplay-nyc-online/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 18:44:56 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Adaptation & Revision]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3243</guid>
		<description><![CDATA[Se7en: How To Avoid A Dud Ending Check out this new video I recently recorded for Scriptmag.com and learn how to discover a great ending for your screenplay.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/11/08/screenwriting-video-how-to-avoid-a-dud-ending-for-your-screenplay-nyc-online/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>The Inciting Incident</title>
		<link>http://www.writeyourscreenplay.com/2011/11/05/screenwriting-rules-and-how-to-break-them-rule-4-inciting-incident/</link>
		<comments>http://www.writeyourscreenplay.com/2011/11/05/screenwriting-rules-and-how-to-break-them-rule-4-inciting-incident/#comments</comments>
		<pubDate>Sat, 05 Nov 2011 13:35:13 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3211</guid>
		<description><![CDATA[100 Rules and How To Break Them Rule #4 THE INCITING INCIDENT This installment of the 100 Rules series grows directly out of a question from a former student: I have a question and thought I needed a fresh perspective from someone outside UCLA… I&#8217;m sort of getting in a fight with the teacher of [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/11/05/screenwriting-rules-and-how-to-break-them-rule-4-inciting-incident/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>What if Someone Steals Your Idea?</title>
		<link>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/27/screenwriting-rules-and-how-to-break-them-rule-3-be-careful-who-you-pitch-to/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 13:05:00 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=3098</guid>
		<description><![CDATA[100 RULES AND HOW TO BREAK THEM: Rule #3: Be Careful Who You Pitch To It’s a constant fear among young writers: finally coming up with that million dollar idea, only to have it stolen by some mustache twirling producer, some back-stabbing friend, or even worse, some untalented hack of a writer. For this reason, scores [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>FLASHBACKS, Part 3: Making The Past Present</title>
		<link>http://www.writeyourscreenplay.com/2011/10/19/flashbacks-part-3-making-the-past-present-screenwriting-rules-nyc-online/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/19/flashbacks-part-3-making-the-past-present-screenwriting-rules-nyc-online/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 12:53:11 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2974</guid>
		<description><![CDATA[If you’ve read part Part 1 and Part 2 of this article, by now you’re well acquainted with the dangers of flashbacks. But this series is called 100 Rules and How To Break Them for a reason. So get ready to learn how to make flashbacks work for you by looking at three great movies [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2011/10/19/flashbacks-part-3-making-the-past-present-screenwriting-rules-nyc-online/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Flashbacks, Part 2</title>
		<link>http://www.writeyourscreenplay.com/2011/10/10/flashbacks-part-2-screenwriting-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/10/flashbacks-part-2-screenwriting-nyc/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 13:26:48 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2920</guid>
		<description><![CDATA[100 Rules &#38; How To Break Them Flashbacks, Part 2:  Dancing With The Devil As I discussed in Part 1 of the flashbacks series, flashbacks can be extraordinarily powerful storytelling devices.  But they’re also dangerous territory for young writers.  For this reason, many screenwriting gurus insist on rigid rules that scare young writers away from [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Flashbacks:  100 Rules and How To Break Them</title>
		<link>http://www.writeyourscreenplay.com/2011/10/05/flashbacks-100-rules-and-how-to-break-them/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/05/flashbacks-100-rules-and-how-to-break-them/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 16:00:11 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2909</guid>
		<description><![CDATA[FLASHBACKS:  100 Rules &#38; How To Break Them As part of this new series, each week, I&#8217;ll be exploring one of the so-called &#8220;rules of screenwriting&#8221; and showing both why they exist, and how to break them in exciting ways that expand and deepen your writing. This Week: Rule #2:  &#8221;Don&#8217;t Use Flashbacks&#8221; As any [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bali Screenwriting Retreat &#8211; The First Five Days!</title>
		<link>http://www.writeyourscreenplay.com/2011/10/05/bali-screenwriting-retreat-the-first-five-days/</link>
		<comments>http://www.writeyourscreenplay.com/2011/10/05/bali-screenwriting-retreat-the-first-five-days/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 15:16:57 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2884</guid>
		<description><![CDATA[It’s hard to believe we’re almost halfway through our screenwriting retreat here in Bali, Indonesia. The first five days have been full of excitement. We’ve had two writing marathons, watched and dissected the Seven Act Structure of Lars and the Real Girl,  There Will Be Blood, Mr. Hulot’s Holiday, and Blue Valentine, and explored the [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>100 Rules and How To Break Them.</title>
		<link>http://www.writeyourscreenplay.com/2011/09/29/100-screenwriting-rules-and-how-to-break-them-write-what-you-know-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/09/29/100-screenwriting-rules-and-how-to-break-them-write-what-you-know-nyc/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 14:34:42 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[100 Rules And How To Break Them]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2846</guid>
		<description><![CDATA[100 Rules and How To Break Them Introducing my new series &#8220;100 Rules and How To Break Them!&#8221;  Each week, I&#8217;ll be analyzing one of the so called &#8220;rules&#8221; of screenwriting, and exploring both why they exist, and how to break them in interesting ways that make your writing better and your stories more powerful. RULE [...]]]></description>
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		<item>
		<title>The Passover Question: Turning Cliche Into An Ally</title>
		<link>http://www.writeyourscreenplay.com/2011/09/08/the-passover-question-turning-cliche-into-an-ally/</link>
		<comments>http://www.writeyourscreenplay.com/2011/09/08/the-passover-question-turning-cliche-into-an-ally/#comments</comments>
		<pubDate>Thu, 08 Sep 2011 18:02:23 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2731</guid>
		<description><![CDATA[Ever get the feeling that your writing is coming out cliche? Ever pour your heart into a scene and still feel like there was something understated or lackluster? Learn to turn every screenwriter&#8217;s worst enemy into an ally by asking one simple question: Want to know what that question is? Learn all about it by [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What&#8217;s Wrong With Three Act Structure?</title>
		<link>http://www.writeyourscreenplay.com/2011/08/06/whats-wrong-with-three-act-structure/</link>
		<comments>http://www.writeyourscreenplay.com/2011/08/06/whats-wrong-with-three-act-structure/#comments</comments>
		<pubDate>Sat, 06 Aug 2011 13:35:16 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2510</guid>
		<description><![CDATA[A long time ago, in a galaxy far far away, a man named Syd Field wrote a book called Screenplay.   Syd took the world&#8217;s greatest screenplays, and broke them down into his now famous three-act structure, identifying the elements that made them work, and showing aspiring screenwriters a simple way to emulate those elements [...]]]></description>
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		<item>
		<title>Breaking The Chain of Writer&#8217;s Block: Part 4</title>
		<link>http://www.writeyourscreenplay.com/2011/07/26/breaking-the-chain-of-writers-block-part-4/</link>
		<comments>http://www.writeyourscreenplay.com/2011/07/26/breaking-the-chain-of-writers-block-part-4/#comments</comments>
		<pubDate>Wed, 27 Jul 2011 03:00:55 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2370</guid>
		<description><![CDATA[Help Your Inner Artist to Cooperate With Your Grown Up Goals Click here to read Part 1, Part 2 and Part 3 of the series If screenwriting was just about playing happily and freely, if you could simply free your creative child to play, your job would be done, and you and your inner artist [...]]]></description>
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		<title>Breaking The Chain of Writer&#8217;s Block: Part 3</title>
		<link>http://www.writeyourscreenplay.com/2011/07/20/breaking-the-chain-of-writers-block-part-3/</link>
		<comments>http://www.writeyourscreenplay.com/2011/07/20/breaking-the-chain-of-writers-block-part-3/#comments</comments>
		<pubDate>Wed, 20 Jul 2011 13:36:38 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2367</guid>
		<description><![CDATA[Shift The Focus of Your Feedback Click here to read Part 1 &#38; Part 2 of the series. Here’s a great exercise that can get you started changing the way you relate to your inner artist. Next time you find yourself feeling blocked, listen for the words you’re saying to your inner artist. It might [...]]]></description>
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		<title>Breaking The Chain of Writer&#8217;s Block: Part 2</title>
		<link>http://www.writeyourscreenplay.com/2011/07/16/breaking-the-chain-of-writers-block-part-2/</link>
		<comments>http://www.writeyourscreenplay.com/2011/07/16/breaking-the-chain-of-writers-block-part-2/#comments</comments>
		<pubDate>Sat, 16 Jul 2011 14:30:11 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Hypnosis For Writers]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2359</guid>
		<description><![CDATA[Recognizing The Cycle of Abuse Click here to read Part 1 of the series Have you ever felt cut off from your inner artist? Do you feel like there was once a childlike spirit of creativity inside you, that now no longer wants to come out and play? Do you find yourself dragging yourself reluctantly [...]]]></description>
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		<title>Imagine, a FREE Screenwriting Retreat in Costa Rica</title>
		<link>http://www.writeyourscreenplay.com/2011/07/13/imagine-a-year-of-free-screenwriting-classes/</link>
		<comments>http://www.writeyourscreenplay.com/2011/07/13/imagine-a-year-of-free-screenwriting-classes/#comments</comments>
		<pubDate>Wed, 13 Jul 2011 17:51:54 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2355</guid>
		<description><![CDATA[Imagine 10 days where the only thing you had to focus on was your screenwriting. Imagine 10 days of world class professional mentorship to help you develop your craft and take your writing to the next level. Imagine a community of writers that shares your goals, and can help you to achieve them. Imagine it [...]]]></description>
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		<title>Breaking The Chain of Writer&#8217;s Block: Part 1</title>
		<link>http://www.writeyourscreenplay.com/2011/07/12/breaking-the-chain-of-writers-block-part-1/</link>
		<comments>http://www.writeyourscreenplay.com/2011/07/12/breaking-the-chain-of-writers-block-part-1/#comments</comments>
		<pubDate>Tue, 12 Jul 2011 12:30:13 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2343</guid>
		<description><![CDATA[Your creative brain is like a child.  And like any child, it has extraordinary creative capabilities.  If you want to remember what it was like to create freely, go to a playground and watch a child play. A child doesn’t wonder if she’s playing with her My Little Pony correctly, if her action figure has [...]]]></description>
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		<item>
		<title>THE TREE OF LIFE Part 5:  Non Linear Storytelling and The Hegelian Dialectic</title>
		<link>http://www.writeyourscreenplay.com/2011/06/28/the-tree-of-life-part-5-non-linear-storytelling-and-the-hegelian-dialectic/</link>
		<comments>http://www.writeyourscreenplay.com/2011/06/28/the-tree-of-life-part-5-non-linear-storytelling-and-the-hegelian-dialectic/#comments</comments>
		<pubDate>Tue, 28 Jun 2011 18:18:55 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2265</guid>
		<description><![CDATA[In Parts 1, 2, 3 and 4 of this series I discussed the Hegelian dialectic between Nature and Grace represented by Jack’s father and mother, and the way that dialectic is used to give structure to the film. The Dialectic Within Jack Just as Thesis and Antithesis are embodied within the characters of father and [...]]]></description>
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		<title>THE TREE OF LIFE Part 4:  Breathe Life Into Your Structure</title>
		<link>http://www.writeyourscreenplay.com/2011/06/26/the-tree-of-life-part-4-breathe-life-into-your-structure/</link>
		<comments>http://www.writeyourscreenplay.com/2011/06/26/the-tree-of-life-part-4-breathe-life-into-your-structure/#comments</comments>
		<pubDate>Sun, 26 Jun 2011 13:55:55 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2239</guid>
		<description><![CDATA[As discussed in Parts 1, 2 and 3 of this series, The Tree of Life is built around a dialectic between Nature, as represented by Jack’s father, and Grace, as represented by his mother. When using a Hegelian Dialectic to structure your screenplay, it’s important to remember that your characters are more than just the [...]]]></description>
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		<title>THE TREE OF LIFE, Part 3:  Who is this Hegel Guy Anyway?</title>
		<link>http://www.writeyourscreenplay.com/2011/06/22/the-tree-of-life-part-3-who-is-this-hegel-guy-anyway/</link>
		<comments>http://www.writeyourscreenplay.com/2011/06/22/the-tree-of-life-part-3-who-is-this-hegel-guy-anyway/#comments</comments>
		<pubDate>Wed, 22 Jun 2011 13:22:32 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2228</guid>
		<description><![CDATA[In Part 1 and Part 2 of this series, I discussed how Terence Malick gives shape to central the question of The Tree of Life through the choices of his main character, Jack. The structure through which Malick gives shape to those choices is known as a Hegelian Dialectic: one of the most powerful tools [...]]]></description>
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		</item>
		<item>
		<title>THE TREE OF LIFE Part 2:  From Questions To Structure</title>
		<link>http://www.writeyourscreenplay.com/2011/06/16/the-tree-of-life-part-2-from-questions-to-structure/</link>
		<comments>http://www.writeyourscreenplay.com/2011/06/16/the-tree-of-life-part-2-from-questions-to-structure/#comments</comments>
		<pubDate>Thu, 16 Jun 2011 13:04:22 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2187</guid>
		<description><![CDATA[In Part 1 of this series, I discussed the question around which Jack&#8217;s journey in The Tree of Life is built: “Why Should I be Good If You&#8217;re Not?” Struggling in a world in which both God and Father can act in such contradictions of beauty and violence, Jack the son is left with a [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>THE TREE OF LIFE:  Great Movies Are Built Around Big Questions</title>
		<link>http://www.writeyourscreenplay.com/2011/06/10/the-tree-of-life-great-movies-are-built-around-big-questions-script-analysis/</link>
		<comments>http://www.writeyourscreenplay.com/2011/06/10/the-tree-of-life-great-movies-are-built-around-big-questions-script-analysis/#comments</comments>
		<pubDate>Fri, 10 Jun 2011 12:25:55 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=2103</guid>
		<description><![CDATA[SPOILER ALERT: You may want to come back to this article after you have seen The Tree of Life. Often as writers we get so hung up on linear, narrative structure that we forget that there are completely different forms of screenplay structure that can be equally moving and powerful. What makes Terence Malick’s The [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>My Article in Creative Screenwriting Magazine</title>
		<link>http://www.writeyourscreenplay.com/2011/05/31/my-article-in-creative-screenwriting-magazine/</link>
		<comments>http://www.writeyourscreenplay.com/2011/05/31/my-article-in-creative-screenwriting-magazine/#comments</comments>
		<pubDate>Tue, 31 May 2011 19:08:45 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1947</guid>
		<description><![CDATA[Grab this month&#8217;s issue of Creative Screenwriting Magazine to read my article &#8220;Breaking The Chain of Writer&#8217;s Block.&#8221;  Learn not only what causes writer&#8217;s block, but also helpful exercises you can use right now to re-frame the way you view your writing and recapture the excitement and desire that drew you to writing in the [...]]]></description>
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		<item>
		<title>SUPERBAD: The Rules of the Genre</title>
		<link>http://www.writeyourscreenplay.com/2011/04/17/superbad-rules-of-genre-script-analysis-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/04/17/superbad-rules-of-genre-script-analysis-nyc/#comments</comments>
		<pubDate>Sun, 17 Apr 2011 13:05:22 +0000</pubDate>
		<dc:creator>Jess</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1554</guid>
		<description><![CDATA[In parts 1, 2 and 3 of this series, we’ve looked at The Lincoln Lawyer, Win Win, and Away From Her to explore the way real world and imagined rules function in creating the reality of a movie. But, this is just the beginning of understanding how rules work in a script.  Because each kind of movie [...]]]></description>
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		<item>
		<title>AWAY FROM HER:  Create The Rules That Amplify The Truth</title>
		<link>http://www.writeyourscreenplay.com/2011/04/14/away-from-her-create-the-rules-that-amplify-the-truth-script-analysis-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/04/14/away-from-her-create-the-rules-that-amplify-the-truth-script-analysis-nyc/#comments</comments>
		<pubDate>Thu, 14 Apr 2011 12:29:41 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1512</guid>
		<description><![CDATA[In parts 1 and 2 of this series, I’ve discussed how movies like The Lincoln Lawyer and Win Win take real world rules and dramatize them to create a journey for a character. But what about when you feel like you need to completely make up a rule to make your story work?  Or when [...]]]></description>
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		</item>
		<item>
		<title>WIN WIN: Make The Truth Work For You</title>
		<link>http://www.writeyourscreenplay.com/2011/04/12/win-win-make-the-truth-work-for-you-script-analysis-screenwriting-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/04/12/win-win-make-the-truth-work-for-you-script-analysis-screenwriting-nyc/#comments</comments>
		<pubDate>Tue, 12 Apr 2011 16:17:24 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1490</guid>
		<description><![CDATA[Win Win: Make The Truth Work For You If you read Joe Tiboni’s blog, you may be surprised to discover that the real-life lawyer who inspired Paul Giamatti’s character in Win Win never assumed guardianship of a client (for money or otherwise), never committed a client to a nursing home against his will, and never [...]]]></description>
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		<title>The Lincoln Lawyer And The Law</title>
		<link>http://www.writeyourscreenplay.com/2011/04/10/the-lincoln-lawyer-and-the-law-script-analysis-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/04/10/the-lincoln-lawyer-and-the-law-script-analysis-nyc/#comments</comments>
		<pubDate>Sun, 10 Apr 2011 13:01:08 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[The Lincoln Lawyer]]></category>
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		<category><![CDATA[away from her]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1477</guid>
		<description><![CDATA[Here&#8217;s a great question I recently received from a student Question: I&#8217;m working on a [comedy] script right now about [premise deleted]&#8230; and I&#8217;m doing a little bit of research on the laws surrounding International Marriage Brokers and Immigration. What&#8217;s your opinion on how to handle the laws, and how strictly to adhere to them?  [...]]]></description>
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		<title>The Inexplicable Redemption of Agent G</title>
		<link>http://www.writeyourscreenplay.com/2011/04/01/script-analysis-the-inexplicable-redemption-of-agent-g-vampire-cowboys-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/04/01/script-analysis-the-inexplicable-redemption-of-agent-g-vampire-cowboys-nyc/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 23:01:20 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Script Analysis]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
		<category><![CDATA[Theme]]></category>
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		<category><![CDATA[antagonist]]></category>
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		<category><![CDATA[classical hypnosis]]></category>
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		<category><![CDATA[qui nguyen]]></category>
		<category><![CDATA[robert ross parker]]></category>
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		<category><![CDATA[theater]]></category>
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		<category><![CDATA[vampire cowboys]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1460</guid>
		<description><![CDATA[The Vampire Cowboys’ new play, THE INEXPLICABLE REDEMPTION OF AGENT G, is more than just a hilarious genre bending, kick-ass-ninja-stage-fighting, comic book romp. It’s also a profound look at what it means to find and follow your voice as a writer, the inexplicable questions of identity and the challenge of telling a true story in [...]]]></description>
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		<title>Revolutionize Your Writing (In Three Letters Or Less)</title>
		<link>http://www.writeyourscreenplay.com/2011/03/30/revolutionize-your-writing-in-three-letters-or-less/</link>
		<comments>http://www.writeyourscreenplay.com/2011/03/30/revolutionize-your-writing-in-three-letters-or-less/#comments</comments>
		<pubDate>Wed, 30 Mar 2011 18:00:05 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Action and Image]]></category>
		<category><![CDATA[Articles]]></category>
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		<category><![CDATA[3 act structure]]></category>
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		<category><![CDATA[gerunds]]></category>
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		<category><![CDATA[superobjective]]></category>
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		<category><![CDATA[verbs]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1453</guid>
		<description><![CDATA[Want to revolutionize your writing in three letters or less? Do a hunt through your writing for these three letters: I-N-G. No, I&#8217;m not talking about the internet bank. I&#8217;m talking about the three letters at the ends of words that turn verbs into nouns (gerunds for you English teachers). It&#8217;s not that gerunds are [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Getting Tough With Your Writing</title>
		<link>http://www.writeyourscreenplay.com/2011/03/19/getting-tough-with-your-screenplay-script-writing-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/03/19/getting-tough-with-your-screenplay-script-writing-nyc/#comments</comments>
		<pubDate>Sat, 19 Mar 2011 17:05:29 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1430</guid>
		<description><![CDATA[As a writer, it&#8217;s easy to get tough on yourself for the things that don&#8217;t work in your script.  In fact, writers are just about the toughest people out there when it comes to dealing with themselves. But most likely you&#8217;re not being tough with yourself when it comes to the most important thing to [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Who Is Steering Your Creative Ship?</title>
		<link>http://www.writeyourscreenplay.com/2011/02/14/who-is-steering-your-creative-ship-learn-what-causes-writers-block-screenwriting-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2011/02/14/who-is-steering-your-creative-ship-learn-what-causes-writers-block-screenwriting-nyc/#comments</comments>
		<pubDate>Mon, 14 Feb 2011 22:01:19 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[writer's block]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1027</guid>
		<description><![CDATA[The Captain And The Navigator If you imagine your writing as a ship, then you can think of your subconscious, creative brain as the Captain, and the conscious editing brain as the Navigator. Having a good Navigator is a vital part of keeping the ship afloat. After all, it’s the Navigator who reads the charts, [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>ANNOUNCING: New! Wednesday Night Screenwriting Workshop</title>
		<link>http://www.writeyourscreenplay.com/2011/01/13/new-wednesday-night-screenwriting-workshop/</link>
		<comments>http://www.writeyourscreenplay.com/2011/01/13/new-wednesday-night-screenwriting-workshop/#comments</comments>
		<pubDate>Thu, 13 Jan 2011 12:07:29 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1164</guid>
		<description><![CDATA[Wanted to take the SOLD OUT Monday Night Workshop but didn&#8217;t get a spot?  Good news! Due to popular demand, I&#8217;m adding a brand new WEDNESDAY NIGHT SCREENWRITING WORKSHOP with an exiting four week format and a great low price. WRITE YOUR SCREENPLAY With Award Winning Screenwriter Jacob Krueger 4 Week Workshop Wednesdays Feb 2 [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Unwrap Your Inner Artist</title>
		<link>http://www.writeyourscreenplay.com/2010/12/27/unwrap-your-inner-artist-screenplay-script-writers-block-nyc/</link>
		<comments>http://www.writeyourscreenplay.com/2010/12/27/unwrap-your-inner-artist-screenplay-script-writers-block-nyc/#comments</comments>
		<pubDate>Mon, 27 Dec 2010 17:46:56 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=1030</guid>
		<description><![CDATA[Take Your Creative Brain Out Of Cold Storage Remember the expression on Hans Solo’s face when Darth Vader pulled him out of the carbon freezing chamber?  That’s how our Creative Brains feel most of the time.   Frozen.  Helpless. Paralyzed.  Lost.  Mouth open in a silent scream. It wasn’t always this way.  If you want to [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Legal Hurdles of Adapting A Novel or Book</title>
		<link>http://www.writeyourscreenplay.com/2010/12/01/the-legal-hurdles-of-adapting-a-novel-or-book-into-screenplay-form/</link>
		<comments>http://www.writeyourscreenplay.com/2010/12/01/the-legal-hurdles-of-adapting-a-novel-or-book-into-screenplay-form/#comments</comments>
		<pubDate>Wed, 01 Dec 2010 14:00:19 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
		<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Screenwriting Business]]></category>
		<category><![CDATA[3 act structure]]></category>
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		<category><![CDATA[adapt a book]]></category>
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		<category><![CDATA[classical hypnosis]]></category>
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		<category><![CDATA[film structure]]></category>
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		<category><![CDATA[how to adapt a book]]></category>
		<category><![CDATA[how to adapt a novel]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=957</guid>
		<description><![CDATA[Here&#8217;s a question I recently received from a student: The Question: Given that I have very few connections to the industry, how would you best recommend moving forward if I have a novel in mind I&#8217;d like to adapt?&#8230; Is it necessary to have a literary agent? Is it best to go through the publishers [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/12/01/the-legal-hurdles-of-adapting-a-novel-or-book-into-screenplay-form/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Cleese On Creativity</title>
		<link>http://www.writeyourscreenplay.com/2010/10/29/john-cleese-on-creativity/</link>
		<comments>http://www.writeyourscreenplay.com/2010/10/29/john-cleese-on-creativity/#comments</comments>
		<pubDate>Fri, 29 Oct 2010 06:00:09 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=838</guid>
		<description><![CDATA[Here&#8217;s a guy who really understands how to get in touch with your creative mind. Watch the video and learn: How rewriting from memory can be better than editing from the page. How to create space for your writing within the hectic schedule of your everyday life. How the real work of writing happens without [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/10/29/john-cleese-on-creativity/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why Writers Should Take ACTING Classes</title>
		<link>http://www.writeyourscreenplay.com/2010/10/24/why-writers-should-take-acting-classes/</link>
		<comments>http://www.writeyourscreenplay.com/2010/10/24/why-writers-should-take-acting-classes/#comments</comments>
		<pubDate>Sun, 24 Oct 2010 16:22:41 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Acting Concepts For Writers]]></category>
		<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Character]]></category>
		<category><![CDATA[acting and writing]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/blog/?p=188</guid>
		<description><![CDATA[It&#8217;s no wonder that some of the greatest writers began their careers as actors. The art of writing and acting have always been profoundly intertwined. Great writers tend to have an instinctual understanding of the actor&#8217;s craft: the ability to create a character, to play with and against text, and to shape a journey over [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>INCEPTION: Part 7 Can The Words You Tell Yourself Really Change Your Life?</title>
		<link>http://www.writeyourscreenplay.com/2010/09/22/inception-part-5-can-the-words-you-tell-yourself-really-change-your-life/</link>
		<comments>http://www.writeyourscreenplay.com/2010/09/22/inception-part-5-can-the-words-you-tell-yourself-really-change-your-life/#comments</comments>
		<pubDate>Wed, 22 Sep 2010 14:46:01 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Hypnosis For Writers]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Script Analysis]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=736</guid>
		<description><![CDATA[As discussed in As discussed in Parts 1, 2, 3, 4, 5 and 6 of this series, Christopher Nolan&#8217;s screenplay Inception is deeply rooted in the principles of hypnosis.   Learning more about these principles may not only change the way you approach your own writing, but also help you understand new ways that you can [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/09/22/inception-part-5-can-the-words-you-tell-yourself-really-change-your-life/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>INCEPTION: Part 6 Is Leonardo DiCaprio Dreaming?</title>
		<link>http://www.writeyourscreenplay.com/2010/09/15/inception-part-6-is-leonardo-dicaprio-dreaming/</link>
		<comments>http://www.writeyourscreenplay.com/2010/09/15/inception-part-6-is-leonardo-dicaprio-dreaming/#comments</comments>
		<pubDate>Wed, 15 Sep 2010 13:07:33 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Hypnosis For Writers]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[3 act structure]]></category>
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		<category><![CDATA[antagonist]]></category>
		<category><![CDATA[break through writers block]]></category>
		<category><![CDATA[classical hypnosis]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=750</guid>
		<description><![CDATA[As discussed in Parts 1, 2, 3, 4 and 5 of this series, Inception is built around a three step down and three step back up structure that closely mirrors the techniques of classical hypnosis.  But just as the story is built around dreams within dreams, so too may it be built around an inception [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/09/15/inception-part-6-is-leonardo-dicaprio-dreaming/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>INCEPTION Part 5: The Hypnotic Structure of Inception</title>
		<link>http://www.writeyourscreenplay.com/2010/09/08/inception-part-5-the-hypnotic-structure-of-inception/</link>
		<comments>http://www.writeyourscreenplay.com/2010/09/08/inception-part-5-the-hypnotic-structure-of-inception/#comments</comments>
		<pubDate>Wed, 08 Sep 2010 13:57:26 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Hypnosis For Writers]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Script Analysis]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[3 act structure]]></category>
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		<category><![CDATA[antagonist]]></category>
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		<category><![CDATA[superobjective]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=747</guid>
		<description><![CDATA[Just as the real hypnotic script discussed in Parts 1, 2, 3 and 4 of this series uses a three step structure to hypnotically bring about a change, the structure of the film Inception also takes three steps down, and then three “kicks” back up, to plant the post hypnotic suggestion of breaking up his [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>INCEPTION Part 4: The Power of Post Hypnotic Suggestion</title>
		<link>http://www.writeyourscreenplay.com/2010/09/01/inception-part-4-the-power-of-post-hypnotic-suggestion/</link>
		<comments>http://www.writeyourscreenplay.com/2010/09/01/inception-part-4-the-power-of-post-hypnotic-suggestion/#comments</comments>
		<pubDate>Wed, 01 Sep 2010 12:12:25 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Hypnosis For Writers]]></category>
		<category><![CDATA[Inception]]></category>
		<category><![CDATA[Script Analysis]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[3 act structure]]></category>
		<category><![CDATA[7 act structure]]></category>
		<category><![CDATA[antagonist]]></category>
		<category><![CDATA[break through writers block]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=733</guid>
		<description><![CDATA[As discussed in parts 1, 2 and 3 of this series, Christopher Nolan&#8217;s screenplay Inception is deeply rooted in the principles of hypnosis.   Learning more about these principles may not only change the way you approach your own writing, but also help you understand new ways that you can break through writer&#8217;s block and build [...]]]></description>
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		<title>Inception Part 3:  How Inception Really Works</title>
		<link>http://www.writeyourscreenplay.com/2010/08/25/inception-part-3-how-inception-really-works/</link>
		<comments>http://www.writeyourscreenplay.com/2010/08/25/inception-part-3-how-inception-really-works/#comments</comments>
		<pubDate>Wed, 25 Aug 2010 14:27:04 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=700</guid>
		<description><![CDATA[As described in Parts 1 and 2 of the series, the organizing principles of Inception&#8216;s &#8220;dream within a dream within a dream&#8221; structure seem to be drawn directly from a classical three-step approach to hypnosis.  This technique is used to help people create profound changes in their lives, by &#8220;incepting&#8221; suggestions for positive change into [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>INCEPTION Part 2: The Power of Hypnotic Images</title>
		<link>http://www.writeyourscreenplay.com/2010/08/18/inception-the-power-of-hypnotic-images-and-image-systems/</link>
		<comments>http://www.writeyourscreenplay.com/2010/08/18/inception-the-power-of-hypnotic-images-and-image-systems/#comments</comments>
		<pubDate>Wed, 18 Aug 2010 13:28:09 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Action and Image]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=696</guid>
		<description><![CDATA[As I discussed in last week’s article, the organizing principles of Inception’s dream within a dream within a dream structure almost perfectly mirror the classical hypnosis training one receives at a weekend certification class in hypnosis. To understand how a movie can be built from this kind of organizing principle, you first need to know [...]]]></description>
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		<item>
		<title>INCEPTION: A Hypnotic Script</title>
		<link>http://www.writeyourscreenplay.com/2010/08/11/inception-a-hypnotic-script/</link>
		<comments>http://www.writeyourscreenplay.com/2010/08/11/inception-a-hypnotic-script/#comments</comments>
		<pubDate>Wed, 11 Aug 2010 06:21:09 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=681</guid>
		<description><![CDATA[The Hypnotic Basis of Inception

One of the truly interesting things about Inception is that its structure seems to be based upon the principles of hypnosis.  In fact, the organizing principles of the dream within a dream within a dream structure of the film almost perfectly mirror the classical hypnosis training one receives at a weekend certification class in hypnosis.]]></description>
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		<item>
		<title>Do You Really Have To Write This Thing?</title>
		<link>http://www.writeyourscreenplay.com/2010/06/29/do-you-really-have-to-write-this-thing/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/29/do-you-really-have-to-write-this-thing/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 15:39:15 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=570</guid>
		<description><![CDATA[Recently a student asked me the following question: Can I write a synopsis/storyline, complete with time era, scenery and plot for a movie, and have someone else develop the characters and dialogue? This is essentially what producers do in Hollywood.  But it&#8217;s very, very hard for young writers to sell movies this way.  And it&#8217;s [...]]]></description>
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		<item>
		<title>TOY STORY 3, Part 5:  Let Your Characters Earn Their Happy Ending</title>
		<link>http://www.writeyourscreenplay.com/2010/06/25/toy-story-3-part-5-let-your-characters-earn-their-happy-ending/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/25/toy-story-3-part-5-let-your-characters-earn-their-happy-ending/#comments</comments>
		<pubDate>Fri, 25 Jun 2010 07:10:55 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=551</guid>
		<description><![CDATA[As discussed in Part 1, Part 2, Part 3 and Part 4 of this series, the structure of Toy Story 3 is built around the theme of loyalty, and desperate desires of both its protagonists and antagonists to be loved and played with by children.  Love is the currency of Toy Story 3, the one [...]]]></description>
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		<item>
		<title>TOY STORY 3, Part 4:  Choose The Right Antagonist</title>
		<link>http://www.writeyourscreenplay.com/2010/06/23/toy-story-3-part-4-choose-the-right-antagonist/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/23/toy-story-3-part-4-choose-the-right-antagonist/#comments</comments>
		<pubDate>Wed, 23 Jun 2010 06:16:06 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=545</guid>
		<description><![CDATA[As discussed in Part 1, Part 2 and Part 3 of this series, Toy Story 3 does a brilliant job of exploring diverse aspects of the theme of loyalty, through an emotional structure built upon the toys&#8217; shared desire to be loved and played with by their owners, and the gigantic obstacles that stand in [...]]]></description>
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		<title>TOY STORY 3, Part 3: The Foundation Of Structure</title>
		<link>http://www.writeyourscreenplay.com/2010/06/22/toy-story-3-the-foundation-of-screenwriting-structure/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/22/toy-story-3-the-foundation-of-screenwriting-structure/#comments</comments>
		<pubDate>Tue, 22 Jun 2010 05:48:53 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=541</guid>
		<description><![CDATA[As discussed in Part 1 and Part 2 of this series, the structure of Toy Story 3 is built around a simple desire shared by its characters, and unified around a simple theme, loyalty.   As Andy grows older and heads off to college, the desperate desire of the toys to be loved and played [...]]]></description>
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		<title>TOY STORY 3, Part 2: The Beauty of Unintended Consequences</title>
		<link>http://www.writeyourscreenplay.com/2010/06/21/toy-story-3-part-2-the-beauty-of-unintended-consequences/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/21/toy-story-3-part-2-the-beauty-of-unintended-consequences/#comments</comments>
		<pubDate>Mon, 21 Jun 2010 18:09:06 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=538</guid>
		<description><![CDATA[As I discussed in Part 1 of this series, Toy Story 3 does a wonderful job of building its structure around the greatest wish of its main characters: to be loved and played with by children.  When the toys feel that their owner Andy no longer cares about them, this desperate desire forces them to [...]]]></description>
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		<title>TOY STORY 3: Theme, Structure and Your Character’s Desire</title>
		<link>http://www.writeyourscreenplay.com/2010/06/20/toy-story-3-screenplay-theme-structure-and-your-characters-desire/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/20/toy-story-3-screenplay-theme-structure-and-your-characters-desire/#comments</comments>
		<pubDate>Sun, 20 Jun 2010 09:42:44 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=532</guid>
		<description><![CDATA[If you&#8217;ve read the reviews, seen the movie, or talked to a friend, you know by now that just about everybody loves Toy Story 3.  Audiences cheer.  Critics gush.  Grown adults laugh and weep like children.  So what makes this movie work so well?  And how can you use its secrets to improve your own [...]]]></description>
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		<title>NEW! Online Screenwriting Classes</title>
		<link>http://www.writeyourscreenplay.com/2010/06/16/new-online-screenwriting-classes/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/16/new-online-screenwriting-classes/#comments</comments>
		<pubDate>Wed, 16 Jun 2010 06:55:59 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=480</guid>
		<description><![CDATA[Now, You Can Be A Part Of My Screenwriting Classes No Matter Where You Live! Through the power of the internet, you can now join my upcoming &#8220;Write Your Screenplay&#8221; Monday Night Workshop from anywhere in the world.  It&#8217;s the next best thing to sitting in the room. A Different Kind Of Online Class Writing [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Feedback Part 5: How To Talk About The Bad Stuff</title>
		<link>http://www.writeyourscreenplay.com/2010/06/03/screenwriting-feedback-part-5-screenplay-notes-how-to-talk-about-the-bad-stuff/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/03/screenwriting-feedback-part-5-screenplay-notes-how-to-talk-about-the-bad-stuff/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 19:46:17 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=458</guid>
		<description><![CDATA[Read the whole Feedback series:  Part 1, Part 2, Part 3, Part 4 It&#8217;s a simple fact.  Writers don&#8217;t like most of what they write. And they don&#8217;t like most of what they read either. Writers can be like rabid bloodhounds, ready to sniff out every flaw in a screenplay at a moment&#8217;s notice. This [...]]]></description>
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		<title>Feedback Part 4: Begin With What Works</title>
		<link>http://www.writeyourscreenplay.com/2010/06/01/screenplay-feedback-part-4-begin-with-what-works/</link>
		<comments>http://www.writeyourscreenplay.com/2010/06/01/screenplay-feedback-part-4-begin-with-what-works/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 20:01:34 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Script Notes & Feedback]]></category>
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		<category><![CDATA[Notes]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=449</guid>
		<description><![CDATA[Read the whole Feedback series:  Part 1, Part 2, Part 3 All writers give and receive notes all the time.  We give notes to our friends, our colleagues, our writing buddies, and most importantly to ourselves.  We receive notes from producers, directors, teachers, agents, friends, family, and fellow writing students. But how many of these [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Feedback Part 3:  A New Approach To Feedback</title>
		<link>http://www.writeyourscreenplay.com/2010/05/30/feedback-part-3-a-new-approach-to-screenplay-feedback-and-notes/</link>
		<comments>http://www.writeyourscreenplay.com/2010/05/30/feedback-part-3-a-new-approach-to-screenplay-feedback-and-notes/#comments</comments>
		<pubDate>Sun, 30 May 2010 17:17:41 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<category><![CDATA[Write Your Screenplay]]></category>
		<category><![CDATA[writing classes]]></category>
		<category><![CDATA[Writing Classes NYC]]></category>
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		<category><![CDATA[Writing Help]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=446</guid>
		<description><![CDATA[As I discussed in part 1 and part 2 of this series, writing is a highly intuitive process.  When notes take us away from our organic connection to our scripts, they tend to do more harm than good, no matter how helpful they may seem. 

Whether you are a professional writer, or just picking up the pen for the first time, you're going to have to deal with notes all the time.  From producers, from actors, from directors, from other writers, from family, from friends, and even from yourself.

And guess what.  You're going to need them.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/05/30/feedback-part-3-a-new-approach-to-screenplay-feedback-and-notes/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Script Feedback Part 2: The Danger Of Other People’s Ideas</title>
		<link>http://www.writeyourscreenplay.com/2010/05/28/script-feedback-part-2-the-danger-of-other-peoples-ideas/</link>
		<comments>http://www.writeyourscreenplay.com/2010/05/28/script-feedback-part-2-the-danger-of-other-peoples-ideas/#comments</comments>
		<pubDate>Fri, 28 May 2010 15:27:17 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[how to write a script]]></category>
		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[movie writing]]></category>
		<category><![CDATA[New York City Writing Classes]]></category>
		<category><![CDATA[NYC Writing classes]]></category>
		<category><![CDATA[screenplay notes]]></category>
		<category><![CDATA[screenplay writing classes]]></category>
		<category><![CDATA[screenplay writing classes nyc]]></category>
		<category><![CDATA[screenplay writing courses]]></category>
		<category><![CDATA[screenwriting notes]]></category>
		<category><![CDATA[script help]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[Write Your Screenplay]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[Writers Groups]]></category>
		<category><![CDATA[writing classes]]></category>
		<category><![CDATA[Writing Classes NYC]]></category>
		<category><![CDATA[writing feedback]]></category>
		<category><![CDATA[writing groups]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=441</guid>
		<description><![CDATA[It's easy for most writers to identify a obviously terrible note.  The real danger occurs with the ones that often seem to be the most intelligent...]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/05/28/script-feedback-part-2-the-danger-of-other-peoples-ideas/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Is Feedback Destroying Your Work?</title>
		<link>http://www.writeyourscreenplay.com/2010/05/27/is-feedback-destroying-your-work/</link>
		<comments>http://www.writeyourscreenplay.com/2010/05/27/is-feedback-destroying-your-work/#comments</comments>
		<pubDate>Thu, 27 May 2010 15:00:51 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Notes & Feedback]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>
		<category><![CDATA[feedback]]></category>
		<category><![CDATA[how to write a screenplay]]></category>
		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[New York City Writing Classes]]></category>
		<category><![CDATA[screen play writing]]></category>
		<category><![CDATA[screenplay]]></category>
		<category><![CDATA[screenwriting classes]]></category>
		<category><![CDATA[script notes]]></category>
		<category><![CDATA[script writing]]></category>
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		<category><![CDATA[Writing Classes NYC]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=437</guid>
		<description><![CDATA[When I finished my first screenplay, I did what any self-respecting screenwriter does.  I sent it to my mom.  She read the script, and called me gushing with pride.

For about half an hour, my mom waxed poetic about every nuance of the script: the story, the imagery, the profound metaphorical qualities.

She only had one question.  Even though it all "worked", she was a little bit confused about why the characters were saying certain dialogue to each other...

"EXT. STREET - DAY" for example.

That was when I realized I was in trouble.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/05/27/is-feedback-destroying-your-work/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>KICK ASS! The Promise of the Premise</title>
		<link>http://www.writeyourscreenplay.com/2010/04/16/kick-ass-the-promise-of-the-premise/</link>
		<comments>http://www.writeyourscreenplay.com/2010/04/16/kick-ass-the-promise-of-the-premise/#comments</comments>
		<pubDate>Sat, 17 Apr 2010 03:20:34 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Finding Your Hook]]></category>
		<category><![CDATA[Kick Ass!]]></category>
		<category><![CDATA[marketing your screenplay]]></category>
		<category><![CDATA[Script Analysis]]></category>
		<category><![CDATA[adapt a comic book]]></category>
		<category><![CDATA[adapt a novel]]></category>
		<category><![CDATA[adapt a short story]]></category>
		<category><![CDATA[adapt a true story]]></category>
		<category><![CDATA[Adaptation and Revision]]></category>
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		<category><![CDATA[Kickass]]></category>
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		<category><![CDATA[the promise of the premise]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/blog/?p=184</guid>
		<description><![CDATA[Kick Ass! Does Just That&#8230; It&#8217;s rare that you see a big budget action movie that succeeds on as many levels as Kick Ass! Hilarious, high stakes action sequences, directorial vision, fabulous characters, bold acting choices, and more-fun-than-you-can-shake-a-nunchuck-at combine to make Kick Ass! the kind of action movie producers and audiences alike can salivate over. [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/04/16/kick-ass-the-promise-of-the-premise/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>David Mamet’s Rules For Screenwriting.  What do you think?</title>
		<link>http://www.writeyourscreenplay.com/2010/04/07/david-mamets-rules-for-screenwriting-what-do-you-think/</link>
		<comments>http://www.writeyourscreenplay.com/2010/04/07/david-mamets-rules-for-screenwriting-what-do-you-think/#comments</comments>
		<pubDate>Wed, 07 Apr 2010 15:45:51 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Exposition]]></category>
		<category><![CDATA[7 act structure]]></category>
		<category><![CDATA[action]]></category>
		<category><![CDATA[David Mamet]]></category>
		<category><![CDATA[David Mamet's Memo To The Writers of The Unit]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[exposition]]></category>
		<category><![CDATA[film structure]]></category>
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		<category><![CDATA[films]]></category>
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		<category><![CDATA[New York]]></category>
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		<category><![CDATA[screenplay structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/blog/?p=181</guid>
		<description><![CDATA[Thanks to Chaweon Koo for forwarding this great memo from David Mamet to the writers of his Emmy-nominated series The Unit. It&#8217;s amazing how even professional writers still need to be reminded of the fundamental principles of writing. I particularly appreciate the way Mamet differentiates between the producer&#8217;s (often misguided) desire to make things clear [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>What’s Wrong With SAVE THE CAT?</title>
		<link>http://www.writeyourscreenplay.com/2010/04/05/whats-wrong-with-save-the-cat/</link>
		<comments>http://www.writeyourscreenplay.com/2010/04/05/whats-wrong-with-save-the-cat/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 14:35:09 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
		<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blake Snyder's Save The Cat]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Finding Your Hook]]></category>
		<category><![CDATA[marketing your screenplay]]></category>
		<category><![CDATA[Screenwriting Books]]></category>
		<category><![CDATA[Screenwriting Business]]></category>
		<category><![CDATA[3 act structure]]></category>
		<category><![CDATA[7 act structure]]></category>
		<category><![CDATA[Adaptation and Revision]]></category>
		<category><![CDATA[Blake Snyder]]></category>
		<category><![CDATA[film writing]]></category>
		<category><![CDATA[films]]></category>
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		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[learn to write a screenplay]]></category>
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		<category><![CDATA[movies]]></category>
		<category><![CDATA[New York City Writing Classes]]></category>
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		<category><![CDATA[plot]]></category>
		<category><![CDATA[Rewrite Your Screenplay]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Save The Cat]]></category>
		<category><![CDATA[screen play structure]]></category>
		<category><![CDATA[screen writing]]></category>
		<category><![CDATA[screen writing workshops]]></category>
		<category><![CDATA[Screenplay Writing]]></category>
		<category><![CDATA[screenplay writing classes]]></category>
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		<category><![CDATA[sell your screenplay]]></category>
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		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[writing structure]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/blog/?p=175</guid>
		<description><![CDATA[Blake Snyder's Save The Cat! just might be the most dangerous book out there for writers.

And you should read it.

But first, you need to recognize how to harness what's valuable in Save The Cat!, while understanding the principles that make it so potentially destructive.

Blake Snyder isn't dangerous because he is wrong.  He's not.  He's not dangerous because his ideas about how to build a script around a great premise aren't brilliant.   They are.

Blake Snyder is dangerous because he doesn't teach you how to be a writer.  He teaches you how to be a salesperson.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/04/05/whats-wrong-with-save-the-cat/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>A PROPHET… And You’re Worried YOUR Character Is Unlikable!</title>
		<link>http://www.writeyourscreenplay.com/2010/03/10/a-prophet-worried-your-character-is-unlikable/</link>
		<comments>http://www.writeyourscreenplay.com/2010/03/10/a-prophet-worried-your-character-is-unlikable/#comments</comments>
		<pubDate>Wed, 10 Mar 2010 22:19:40 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[A Prophet]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Character]]></category>
		<category><![CDATA[Script Analysis]]></category>
		<category><![CDATA[7 act structure]]></category>
		<category><![CDATA[Audiard]]></category>
		<category><![CDATA[creative blocks]]></category>
		<category><![CDATA[film structure]]></category>
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		<category><![CDATA[films]]></category>
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		<category><![CDATA[learn to write a screenplay]]></category>
		<category><![CDATA[likable main character]]></category>
		<category><![CDATA[likeable main character]]></category>
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		<category><![CDATA[script writing]]></category>
		<category><![CDATA[Un Prophete]]></category>
		<category><![CDATA[Write Your Screenplay]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[writing structure]]></category>

		<guid isPermaLink="false">http://www.writeyourscreenplay.com/blog/?p=169</guid>
		<description><![CDATA[There are many reasons to brave the shocking violence of Thomas Bidigain and Jacques Audiard&#8217;s new film, A Prophet (Un Prophéte).  This brilliantly crafted screenplay, which takes you into the brutal world of a French prison through its main character, Malik, makes the prison world of The Shawshank Redemption look like daycare.  As you follow [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/03/10/a-prophet-worried-your-character-is-unlikable/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Free Procrastination Teleseminar</title>
		<link>http://www.writeyourscreenplay.com/2010/01/27/free-procrastination-teleseminar/</link>
		<comments>http://www.writeyourscreenplay.com/2010/01/27/free-procrastination-teleseminar/#comments</comments>
		<pubDate>Wed, 27 Jan 2010 23:53:17 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Hypnosis For Writers]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[audrey sussman]]></category>
		<category><![CDATA[creative blocks]]></category>
		<category><![CDATA[feeling stuck]]></category>
		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[procrastination]]></category>
		<category><![CDATA[scared of writing]]></category>
		<category><![CDATA[Write Your Screenplay]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=160</guid>
		<description><![CDATA[Here&#8217;s a great, FREE teleseminar for any of you who are struggling with procrastination.  Audrey Sussman is more than just a brilliant hypnotherapist&#8230; she&#8217;s also my mom! I&#8217;m sure you&#8217;re going to love her teleseminar.  And you don&#8217;t even have to go anywhere to experience it! CONQUERING PROCRASTINATION A Workshop For Creative, Intelligent People Who [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/01/27/free-procrastination-teleseminar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>To Lawyer Or Not To Lawyer?</title>
		<link>http://www.writeyourscreenplay.com/2010/01/22/to-lawyer-or-not-to-lawyer/</link>
		<comments>http://www.writeyourscreenplay.com/2010/01/22/to-lawyer-or-not-to-lawyer/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 07:58:53 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Screenwriting Business]]></category>
		<category><![CDATA[Contracts for Writers]]></category>
		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[Legal Issues]]></category>
		<category><![CDATA[Screenwriter's Mind]]></category>
		<category><![CDATA[screenwriting classes]]></category>
		<category><![CDATA[Write Your Screenplay]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Writing Business]]></category>
		<category><![CDATA[writing classes]]></category>
		<category><![CDATA[Writing Contracts]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=157</guid>
		<description><![CDATA[A question from a student: Question for you: I wrote a short script that this guy wants to film and possibly enter into some festivals. I just want the writing credit, no money- do you think a contract is necessary in a case like this? Or is a gentleman&#8217;s agreement usually good? Luke S. Jake&#8217;s [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>2010 Screenwriting Challenge Party!  Save The Date!</title>
		<link>http://www.writeyourscreenplay.com/2010/01/20/2010-screenwriting-challenge-party-save-the-date/</link>
		<comments>http://www.writeyourscreenplay.com/2010/01/20/2010-screenwriting-challenge-party-save-the-date/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 19:52:52 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[2010 Screenwriting Challenge]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Jacob Krueger]]></category>
		<category><![CDATA[New Year]]></category>
		<category><![CDATA[New York City Writing Classes]]></category>
		<category><![CDATA[procrastination]]></category>
		<category><![CDATA[Screenwriting Challenge]]></category>
		<category><![CDATA[Writers Groups]]></category>
		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=155</guid>
		<description><![CDATA[Come party with me at the annual: 2010 SCREENWRITING CHALLENGE PARTY! Sunday, January 31st, 2010, 9 pm Playwright Tavern* 202 W 49th St. (between 7th Ave &#038; Broadway) New York, NY 10019 212-262-9263 *Make sure not to confuse it with the OTHER Playwright Tavern on 8th Ave. We won&#8217;t be there! Celebrate your achievement, win [...]]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2010/01/20/2010-screenwriting-challenge-party-save-the-date/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>What To Do When It’s Just Not Coming</title>
		<link>http://www.writeyourscreenplay.com/2010/01/18/screenwriting-and-writers-block-what-to-do-when-its-just-not-coming/</link>
		<comments>http://www.writeyourscreenplay.com/2010/01/18/screenwriting-and-writers-block-what-to-do-when-its-just-not-coming/#comments</comments>
		<pubDate>Mon, 18 Jan 2010 20:00:12 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[writer's block]]></category>
		<category><![CDATA[Writing Lifestyle]]></category>
		<category><![CDATA[3 act structure]]></category>
		<category><![CDATA[7 act structure]]></category>
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		<guid isPermaLink="false">http://www.writeyourscreenplay.com/?p=558</guid>
		<description><![CDATA[WHAT TO DO WHEN IT&#8217;S JUST NOT COMING Understanding the Causes of Writers Block It&#8217;s the most coveted time for writers. The rare moment when the words are just flowing, when writing feels effortless and the ideas are coming faster than you can write them down. During times like these, it&#8217;s easy to think of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Power Your Plot: With These Vital Structural Elements</title>
		<link>http://www.writeyourscreenplay.com/2010/01/06/power-your-plot-with-these-vital-structural-elements/</link>
		<comments>http://www.writeyourscreenplay.com/2010/01/06/power-your-plot-with-these-vital-structural-elements/#comments</comments>
		<pubDate>Wed, 06 Jan 2010 19:41:06 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Action and Image]]></category>
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		<category><![CDATA[Completions]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=143</guid>
		<description><![CDATA[POWER YOUR PLOT With These Vital Structural Elements Today seems like a good day to talk about completions. Not just the kind of completions you make in your life.  The kinds of completions you make in your scenes. Completions are the single most important element in distinguishing a successful scene from an unsuccessful one. No [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Is Your Character An Adjective or a Verb?</title>
		<link>http://www.writeyourscreenplay.com/2009/12/10/is-your-character-an-adjective-or-a-verb/</link>
		<comments>http://www.writeyourscreenplay.com/2009/12/10/is-your-character-an-adjective-or-a-verb/#comments</comments>
		<pubDate>Thu, 10 Dec 2009 18:49:22 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Acting Concepts For Writers]]></category>
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		<category><![CDATA[dialogue]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=125</guid>
		<description><![CDATA[It's no wonder that some of the greatest writers began their careers as actors.

The art of writing and acting have always been profoundly intertwined.  That's because structurally, movies grow out of character.  And character is the thing that actors understand best.

So what is character from an actor's perspective?  And how can that help you as a writer?]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Got an issue with Robert McKee?  Me too.</title>
		<link>http://www.writeyourscreenplay.com/2009/11/13/got-an-issue-with-robert-mckee/</link>
		<comments>http://www.writeyourscreenplay.com/2009/11/13/got-an-issue-with-robert-mckee/#comments</comments>
		<pubDate>Fri, 13 Nov 2009 19:20:34 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Robert McKee's Story]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=119</guid>
		<description><![CDATA[Don't throw away the baby with the bath-water.  As with any screenwriting book, there are some good things to be discovered in Robert McKee's "Story".  But there's also a lot that can be misleading, confusing or even just plain wrong. And for young writers who take his words as gospel, McKee can pose a real danger to finding your voice, truly understanding your character, and discovering the organic structure of your screenplay.

I believe that a big part of that is because McKee teaches screenwriting from a critic's perspective, rather than that of a writer...]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Wild Thoughts About WILD THINGS</title>
		<link>http://www.writeyourscreenplay.com/2009/11/05/wild-things-archetypes-emotional-symbolic-structure/</link>
		<comments>http://www.writeyourscreenplay.com/2009/11/05/wild-things-archetypes-emotional-symbolic-structure/#comments</comments>
		<pubDate>Thu, 05 Nov 2009 20:45:39 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Script Analysis]]></category>
		<category><![CDATA[Theme]]></category>
		<category><![CDATA[Where The Wild Things Are]]></category>
		<category><![CDATA[7 act structure]]></category>
		<category><![CDATA[Archetypes]]></category>
		<category><![CDATA[Emotional Structure]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=108</guid>
		<description><![CDATA[Script Analysis: WHERE THE WILD THINGS ARE

SPOILER ALERT: If you haven't yet seen Where The Wild Things Are, you may want to check it out before you read this article.

Let's set aside the question right now of whether or not Where The Wild Things Are is a good movie. Let's set aside the question of whether you liked it or not (or were a little bit embarrassed for liking it as much as you did).

And if you feel like you wasted your twelve bucks on a movie in which essentially nothing happens, let's set that aside too.

Love it or hate it, Wild Things is a movie worth studying, because of the bold and unique ways it is structured to reflect its authors' premise, both in its most wonderful, and its most problematic elements.

PREMISE? WHAT PREMISE?
Wild things is governed by a simple idea-- or at least a strong suggestion-- that we are seeing the whole world through the perspective of a young boy-- as he works out his rage over his isolated life (and more importantly, his parents divorce) by playing with a bunch of stuffed animals in his room.

The writer-director team of Jonze &#038; Eggers make a very strong (and very risky) decision that nothing in the world of the Wild Things is going to exist outside what a boy Max's age could reasonably imagine. This is embodied in every element of the film:]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Where The Wild Things Are – Interesting Article</title>
		<link>http://www.writeyourscreenplay.com/2009/10/21/where-the-wild-things-are-interesting-article/</link>
		<comments>http://www.writeyourscreenplay.com/2009/10/21/where-the-wild-things-are-interesting-article/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 00:33:40 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Where The Wild Things Are]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=104</guid>
		<description><![CDATA[I haven&#8217;t seen the movie yet, but thought this David Brooks NY Times Article about the film was an interesting discussion of character. I&#8217;ll weigh in with my thoughts after I&#8217;ve seen the film.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Script Analysis: What&#8217;s Wrong With &#8220;Surrogates&#8221;?</title>
		<link>http://www.writeyourscreenplay.com/2009/10/11/script-analysis-whats-wrong-with-surrogates/</link>
		<comments>http://www.writeyourscreenplay.com/2009/10/11/script-analysis-whats-wrong-with-surrogates/#comments</comments>
		<pubDate>Sun, 11 Oct 2009 14:00:07 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<category><![CDATA[Character]]></category>
		<category><![CDATA[Exposition]]></category>
		<category><![CDATA[Finding Your Hook]]></category>
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		<category><![CDATA[Surrogates]]></category>
		<category><![CDATA[Theme]]></category>

		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=92</guid>
		<description><![CDATA[Movies are a lot like professional sports. The things we notice tend to be the big plays, the brilliant scenes, the moments that make us say &#8220;wow!&#8221; But what actually makes movies work is a lot like what makes sports teams successful: not the brilliant moments, but the fundamentals. In football, those fundamentals are blocking [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Finding the RIGHT Time To Write</title>
		<link>http://www.writeyourscreenplay.com/2009/09/09/finding-the-right-time-to-write/</link>
		<comments>http://www.writeyourscreenplay.com/2009/09/09/finding-the-right-time-to-write/#comments</comments>
		<pubDate>Thu, 10 Sep 2009 01:28:36 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=81</guid>
		<description><![CDATA[This article comes in response to a question I was recently asked by a screenwriting student. I think it describes a challenge almost all screenwriters face: finding balance. Balance between the planning phases and the writing phases of creating your screenplay. Balance between the demands of your life and the demands of your writing passion. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Writer’s Most Dangerous Desire</title>
		<link>http://www.writeyourscreenplay.com/2009/08/07/the-writers-most-dangerous-desire/</link>
		<comments>http://www.writeyourscreenplay.com/2009/08/07/the-writers-most-dangerous-desire/#comments</comments>
		<pubDate>Fri, 07 Aug 2009 16:29:11 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/2009/08/the-writers-most-dangerous-desire/</guid>
		<description><![CDATA[It may be hard to tell from some of the stuff you see coming out of Hollywood, but believe it or not, no one sets out to be a mediocre writer.

No writer dreams of writing that crappy screenplay with the unintelligible plot.  No writer fantasizes about creating paper thin characters, canned dialogue, or predictable plot points.

As writers, we share a common desire: we want to write great scripts, fascinating characters, brilliant dialogue, and breathtaking stories that catch people and won't let them go.  We want to say something that matters to us, have our voices heard, and create the kind of movies we grew up loving.

All writers want to be great writers.

Unfortunately, for many writers this need to create something great is actually the biggest obstacle to their writing...]]></description>
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		<slash:comments>1</slash:comments>
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		<title>What Happens Next?  Getting Un-Stuck When You Are Lost In Your Story</title>
		<link>http://www.writeyourscreenplay.com/2009/07/08/what-happens-next-getting-un-stuck-when-you-are-lost-in-your-story/</link>
		<comments>http://www.writeyourscreenplay.com/2009/07/08/what-happens-next-getting-un-stuck-when-you-are-lost-in-your-story/#comments</comments>
		<pubDate>Wed, 08 Jul 2009 19:57:51 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=48</guid>
		<description><![CDATA[I was recently giving a lecture on using hypnosis to combat writer's block, and was asked a profound question by one of the students.

She explained that her block had nothing to do with fear of writing, procrastination, the desire to get every scene "right" or any of the other common causes of writer's block that students were describing.

Her problem that she simply didn't know what happened next in her story.  She was just plain stuck.  And she felt like until she figured it out, she couldn't write another word.

How many writers have felt EXACTLY like that?

More than you think.

It's easy to convince ourselves that if we don't know what is going to happen, that there's no way to move forward in our writing.

But the truth is exactly the opposite.  And if you want proof, all you have to do is think about your life...]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Five Steps to a Writing Lifestyle</title>
		<link>http://www.writeyourscreenplay.com/2009/06/17/five-steps-to-a-writing-lifestyle/</link>
		<comments>http://www.writeyourscreenplay.com/2009/06/17/five-steps-to-a-writing-lifestyle/#comments</comments>
		<pubDate>Wed, 17 Jun 2009 07:00:03 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=42</guid>
		<description><![CDATA[The following is a challenge I created for my Write! Write! Write! students.  Use it in your own work and notice how quickly and effortlessly writing becomes a natural part of your lifestyle...]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2009/06/17/five-steps-to-a-writing-lifestyle/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Thoughts On &quot;Drag Me To Hell&quot;</title>
		<link>http://www.writeyourscreenplay.com/2009/06/10/script-analysi-drag-me-to-hell/</link>
		<comments>http://www.writeyourscreenplay.com/2009/06/10/script-analysi-drag-me-to-hell/#comments</comments>
		<pubDate>Wed, 10 Jun 2009 07:16:40 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=34</guid>
		<description><![CDATA[I just saw "Drag Me To Hell" tonight.  Talk about a great example of how a well structured movie uses theme to craft a character's journey.    Spoiler alert:  If you haven't watched this movie yet, this might be a good time to dash out and see it.  Then come on back and read all about it.

The theme of "Drag Me To Hell" is pretty simple: selfish desire leads to the soul's destruction.  The film begins with a woman who is genuinely good.  And step by step, the structure of the film quite literally drags her to hell-- not just through the terrible curse that she must contend with, but by causing her to make such immoral choices in her attempts to escape it that by the time it's all over, she just about deserves her fate...]]></description>
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		<slash:comments>7</slash:comments>
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		<title>Ready to TRASH your whole Script?  Not Until You Read This Article.</title>
		<link>http://www.writeyourscreenplay.com/2009/06/01/fed-up-with-your-script/</link>
		<comments>http://www.writeyourscreenplay.com/2009/06/01/fed-up-with-your-script/#comments</comments>
		<pubDate>Mon, 01 Jun 2009 19:47:59 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=28</guid>
		<description><![CDATA[The other day, a student asked me a profound question.  It's a problem faced by so many writers that I decided to include it and my answer in this month's newsletter.

What do you do when you're so fed up with your writing, you're ready to scrap your whole project?

Whoa!  Pull those pages out of the trash can-- at least until you try these simple tricks to re-energize your writing and get your project rocking again...]]></description>
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		<slash:comments>2</slash:comments>
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		<title>The Myth of Three Act Screenplay Structure (or, “Why Am I Lost In My Second Act?”)</title>
		<link>http://www.writeyourscreenplay.com/2009/05/29/myth-of-the-three-act-screenplay-structure/</link>
		<comments>http://www.writeyourscreenplay.com/2009/05/29/myth-of-the-three-act-screenplay-structure/#comments</comments>
		<pubDate>Fri, 29 May 2009 19:21:22 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=22</guid>
		<description><![CDATA[For about as long as there have been screenwriting books, young writers have been taught that movies have a three act structure.  Each act is viewed as 30 to 60 page chunk of the plot and when they're all assembled together, they provide a beginning, middle, and an end for your story.

Countless script doctors, critics, teachers, and producers have used this structure to break down great movies, and analyze how they are put together.

But while this may be a great way of looking at a finished script from a critical perspective, it's not particularly useful to screenwriters.  When you're beginning a new project, it's not exactly groundbreaking news that your story is going to need a beginning, middle and an end.  The real challenge is figuring out how to structure your story in a way that captures the essence of your character's journey.

Trying to use three act structure to create the story of your movie is like trying to sprint through a marathon.  You may start off strong, but by the time you hit the middle of the story, you'll most likely be running out of steam...]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2009/05/29/myth-of-the-three-act-screenplay-structure/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Kill Your Outline: A Screenwriter’s Guide To Discovering Your Character</title>
		<link>http://www.writeyourscreenplay.com/2009/05/06/kill-your-outline-a-screenwriters-guide-to-discovering-your-character/</link>
		<comments>http://www.writeyourscreenplay.com/2009/05/06/kill-your-outline-a-screenwriters-guide-to-discovering-your-character/#comments</comments>
		<pubDate>Thu, 07 May 2009 03:07:33 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=14</guid>
		<description><![CDATA[Young writers often get obsessed with writing for the audience. Even in the earliest drafts, their focus is on sneaking in tons of exposition about their characters, layering themes or symbolic motifs, or carefully outlining the mechanics for a surprise ending they think will be the key to selling their script.

It's no wonder that this happens. After all, these are the things that film scholars rave about and film studies classes teach-- complex psychological portraits and deep thematic importance, screenplay structures, beat sheets and outlines.

So why do movies written this way so often come out flat? Why does it seem like nothing is happening, when the writer has put so much effort into building the psychological life of the character? Why do all the themes and motifs just feel like smoke and mirrors? Why is no one reacting to the surprise ending you've worked so hard to craft?

It's not because these things aren't important. They are. It's because you're focusing on them TOO EARLY.]]></description>
		<wfw:commentRss>http://www.writeyourscreenplay.com/2009/05/06/kill-your-outline-a-screenwriters-guide-to-discovering-your-character/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>What If Your Screenplay Isn’t Good?</title>
		<link>http://www.writeyourscreenplay.com/2009/04/09/screenwriting-newsletter-6-what-if-my-screenplay-isnt-good/</link>
		<comments>http://www.writeyourscreenplay.com/2009/04/09/screenwriting-newsletter-6-what-if-my-screenplay-isnt-good/#comments</comments>
		<pubDate>Fri, 10 Apr 2009 03:30:34 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Adaptation & Revision]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=1</guid>
		<description><![CDATA[I recently had a student ask me a profound question. After chugging along excitedly for a month on a first draft of a new screenplay, he had found himself paralyzed by a terrifying question: &#8220;What if it isn&#8217;t GOOD?&#8221; I think we can all imagine his horror&#8211; the kind of horror only a writer can [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The Six Most Destructive Words For Writers</title>
		<link>http://www.writeyourscreenplay.com/2009/03/06/the-six-most-destructive-words-for-writers/</link>
		<comments>http://www.writeyourscreenplay.com/2009/03/06/the-six-most-destructive-words-for-writers/#comments</comments>
		<pubDate>Fri, 06 Mar 2009 19:43:27 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=7</guid>
		<description><![CDATA[The following are six of the most destructive words writers can say to themselves: &#8220;Maybe I Don&#8217;t Really Want This&#8230;&#8221; If you&#8217;re a writer, you&#8217;ve probably uttered these words more times than you&#8217;d like to admit. A day spent procrastinating. &#8220;Maybe I don&#8217;t really want this&#8230;&#8221; A missed deadline. &#8220;Maybe I don&#8217;t really want this&#8230;&#8221; [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Thoughts On &quot;Watchmen&quot;</title>
		<link>http://www.writeyourscreenplay.com/2009/03/03/script-analysi-the-watchmen/</link>
		<comments>http://www.writeyourscreenplay.com/2009/03/03/script-analysi-the-watchmen/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 00:50:13 +0000</pubDate>
		<dc:creator>Jacob Krueger</dc:creator>
				<category><![CDATA[7 Act Structure]]></category>
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		<guid isPermaLink="false">http://www.jacobkrueger.com/blog/?p=37</guid>
		<description><![CDATA[In my Monday class tonight a question came up about the difference between Message and Theme.

It turns out a perfect example can be seen in the "The Watchmen".

Theme is about the character's journey. It reflects the want the character is pursuing, the value in that character that is being tested, and the way the character changes.

Message is about the writer. It's what the writer wants you to believe. And in execution it tends to be preachy and unengaging, because it's all about PLOT and INFORMATION, rather than about a character on a journey...]]></description>
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